{"version":"1.0","provider_name":"Uitgeverij Van Oorschot","provider_url":"https:\/\/www.vanoorschot.nl\/en\/","author_name":"joost","author_url":"https:\/\/www.vanoorschot.nl\/en\/author\/joost\/","title":"Essaykroniek  De vrouw met de hamer\/Elmer Sh\u00f6nberger &#183; Uitgeverij Van Oorschot","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"VXKSFZpaYN\"><a href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/essaykroniekde-vrouw-met-de-hamer-elmer-shonberger\/\">Essaykroniek\r\n\r\nDe vrouw met de hamer\/Elmer Sh\u00f6nberger<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/essaykroniekde-vrouw-met-de-hamer-elmer-shonberger\/embed\/#?secret=VXKSFZpaYN\" width=\"600\" height=\"338\" title=\"&#8220;Essaykroniek\r\n\r\nDe vrouw met de hamer\/Elmer Sh\u00f6nberger&#8221; &#8212; Uitgeverij Van Oorschot\" data-secret=\"VXKSFZpaYN\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.vanoorschot.nl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"[p. 560] Essaykroniek De vrouw met de hamer\/Elmer Sh\u00f6nberger Van de muziek die Elmer Sch\u00f6nberger ter sprake brengt in zijn nieuwe verzameling stukken, De vrouw met de hamer, heb ik tachtig procent niet gehoord. De namen Scelsi, Nancarrow, Luzzachi, Feldman, Kurta\u00e1g, Pijper, Ferneyhough, Fine, P\u00e4rt, om maar een willekeurige greep te doen, veroorzaken geen klank,..."}