{"version":"1.0","provider_name":"Uitgeverij Van Oorschot","provider_url":"https:\/\/www.vanoorschot.nl\/en\/","author_name":"joost","author_url":"https:\/\/www.vanoorschot.nl\/en\/author\/joost\/","title":"Jaap Goedegebuure  Po\u00ebzie op het verdwijnpunt &#183; Uitgeverij Van Oorschot","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"niFhyovzaD\"><a href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/jaap-goedegebuurepoezie-op-het-verdwijnpunt\/\">Jaap Goedegebuure\r\n\r\nPo\u00ebzie op het verdwijnpunt<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/jaap-goedegebuurepoezie-op-het-verdwijnpunt\/embed\/#?secret=niFhyovzaD\" width=\"600\" height=\"338\" title=\"&#8220;Jaap Goedegebuure\r\n\r\nPo\u00ebzie op het verdwijnpunt&#8221; &#8212; Uitgeverij Van Oorschot\" data-secret=\"niFhyovzaD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.vanoorschot.nl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"[p. 153] Jaap Goedegebuure Po\u00ebzie op het verdwijnpunt \u2018dat stilstand zich losmaakte uit het woord dat hem verbergt\u2019 hans faverey, Zijden Kettingen 1. Sprekend over Mallarm\u00e9 merkt Hugo Friedrich in Die Struktur der modernen Lyrik op: \u2018Dinge, sofern sie reale Gegenwart haben, sind unrein, nicht absolut; erst im Vernichtetwerden erm\u00f6glichen sie die Geburt ihrer reinen..."}