{"version":"1.0","provider_name":"Uitgeverij Van Oorschot","provider_url":"https:\/\/www.vanoorschot.nl\/en\/","author_name":"joost","author_url":"https:\/\/www.vanoorschot.nl\/en\/author\/joost\/","title":"Jabik Veenbaas  Sade of de onvrede der libertijnen &#183; Uitgeverij Van Oorschot","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"TsQNfivPiX\"><a href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/jabik-veenbaassade-of-de-onvrede-der-libertijnen\/\">Jabik Veenbaas\r\n\r\nSade of de onvrede der libertijnen<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/jabik-veenbaassade-of-de-onvrede-der-libertijnen\/embed\/#?secret=TsQNfivPiX\" width=\"600\" height=\"338\" title=\"&#8220;Jabik Veenbaas\r\n\r\nSade of de onvrede der libertijnen&#8221; &#8212; Uitgeverij Van Oorschot\" data-secret=\"TsQNfivPiX\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.vanoorschot.nl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"[p. 74] Jabik Veenbaas Sade of de onvrede der libertijnen Sal\u00f2 of de 120 dagen van Sodom, van Pier Paolo Pasolini, behoort ongetwijfeld tot de gruwelijkste films die ooit zijn vertoond. Hij dateert uit 1975, dus uit het decennium na 1968, de tijd dat de seksuele revolutie in de westerse landen diepe sporen trok. Pasolini..."}