{"version":"1.0","provider_name":"Uitgeverij Van Oorschot","provider_url":"https:\/\/www.vanoorschot.nl\/en\/","author_name":"Merijn de Boer","author_url":"https:\/\/www.vanoorschot.nl\/en\/author\/merijn-de-boer\/","title":"Afdalen in de hel &#183; Uitgeverij Van Oorschot","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"P0ZPwCnRoi\"><a href=\"https:\/\/www.vanoorschot.nl\/en\/tirade_blog\/afdalen-in-de-hel\/\">Afdalen in de hel<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.vanoorschot.nl\/en\/tirade_blog\/afdalen-in-de-hel\/embed\/#?secret=P0ZPwCnRoi\" width=\"600\" height=\"338\" title=\"&#8220;Afdalen in de hel&#8221; &#8212; Uitgeverij Van Oorschot\" data-secret=\"P0ZPwCnRoi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.vanoorschot.nl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.vanoorschot.nl\/wp-content\/uploads\/2013\/12\/Stradano_Inferno__Map_of_Whole_Hell-1.jpg","thumbnail_width":745,"thumbnail_height":960,"description":"Afgelopen mei verscheen in The New Yorker een artikel van Joan Acocella over twee nieuwe vertalingen van De goddelijke komedie. In de inleiding vraagt Acocella zich af hoe het in godsnaam mogelijk is dat een middeleeuws allegorisch gedicht over zonde en verlossing nog altijd tot de verbeelding spreekt. Waarom wordt het nog altijd gelezen en..."}