{"id":299484,"date":"1965-01-01T00:01:20","date_gmt":"1964-12-31T23:01:20","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/hanny-michaelisvier-gedichten\/"},"modified":"2021-06-04T12:29:00","modified_gmt":"2021-06-04T11:29:00","slug":"hanny-michaelisvier-gedichten","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/hanny-michaelisvier-gedichten\/","title":{"rendered":"Hanny Michaelis\r\n\r\nVier gedichten"},"content":{"rendered":"
\r\n\r\n <\/interp>
[p. 449]<\/div>\r\n<\/a>\r\n

\r\nHanny Michaelis<\/i>\r\n\r\n
Vier gedichten<\/i>\r\n<\/h3>\r\n\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nEen stilte waarin meer<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nvergaat dan tijd alleen.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nOgen van lood. Een arm<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndie halverwege terugvalt<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ntegen het eigen lichaam. Dit<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nzijn de tekenen dat alles komt<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nzoals het niet zou moeten komen.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 450]<\/div>\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nNiet rooskleurig<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nhet licht van mijn feiten:<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\neen handvol dode mussen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nen geen vogel in zicht.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nToch hoor ik hem zingen,<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nde lijster, voorbode van<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nde zoveelste lente<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nen prompt steekt de hoop<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nzijn zoveelste kop op.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 451]<\/div>\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nAlle eindjes<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\naan elkaar geknoopt<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ntot een patroon dat zich<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nlaat leven. Dagenlang<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ngaat het goed. En dan<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nis het er weer, het gat<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nwaar alles in verdwijnt:<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nboeken, muziek, gesprekken<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmet vrienden. Alleen ik<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nblijf over, vastgenageld<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\naan de rand van het niets.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 452]<\/div>\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nWaar jij nu bent<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nis het warmer dan hier<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nen een uur later. Soms<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nis het of ik je zie lopen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\naan een strand dat ik niet ken.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nMisschien liefkozen je gedachten<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nme zoals vroeger je lichaam.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nWaarschijnlijk niet: bij jou<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nis het een uur later<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndan bij mij.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

Hanny Michaelis<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 449] Hanny Michaelis Vier gedichten \u00a0 Een stilte waarin meer \u00a0 vergaat dan tijd alleen. \u00a0 Ogen van lood. Een arm \u00a0 die halverwege terugvalt \u00a0 tegen het eigen lichaam. Dit \u00a0 zijn de tekenen dat alles komt \u00a0 zoals het niet zou moeten komen. [p. 450] \u00a0 Niet rooskleurig \u00a0 het licht van… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-299484","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nHanny Michaelis Vier gedichten · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/hanny-michaelisvier-gedichten\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hanny Michaelis Vier gedichten · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 449] Hanny Michaelis Vier gedichten \u00a0 Een stilte waarin meer \u00a0 vergaat dan tijd alleen. \u00a0 Ogen van lood. Een arm \u00a0 die halverwege terugvalt \u00a0 tegen het eigen lichaam. Dit \u00a0 zijn de tekenen dat alles komt \u00a0 zoals het niet zou moeten komen. [p. 450] \u00a0 Niet rooskleurig \u00a0 het licht van... 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