{"id":299519,"date":"1965-01-01T00:01:47","date_gmt":"1964-12-31T23:01:47","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/gedichten-19\/"},"modified":"2021-07-08T10:48:24","modified_gmt":"2021-07-08T09:48:24","slug":"gedichten-19","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/gedichten-19\/","title":{"rendered":"[Gedichten]"},"content":{"rendered":"
\r\n\r\n <\/interp>
[p. 616]<\/div>\r\n<\/a>\r\n

[Gedichten]<\/h3>\r\n\r\n

\r\nMuziek: Mikis Theodorakis<\/i>\r\n<\/h4>\r\n\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nNu een verre grammofoon Madame Hortense begraaft<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
\r\nop Hydra<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nweet ik mij langs de Wolga wandelen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndat is een zekerheid.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nMijn angst voor al wat noopt tot hero\u00efek<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nvervluchtigt over wijdse boulevards.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nStalingrad natuurlijk –<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nniet de nachtmerrie natuurlijk –<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmaar waar de vrede wordt bewaard.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nDit is toch vreemd het landschap dat mij bergt zo<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
\r\nduidelijk<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmaar overschoven door een land<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
\r\neen atmosfeer<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndie ik nooit zag<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmaar maakt mij ooggetuige.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nWerkt zo het hart?<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nAnders is het oog maar een rare makroskoop –<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmet traanimmersie.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nNu, desnoods een reisbureau<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndat werklijkheid verduistert<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nverdonkeremaant<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nbij volle zon.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nToch las ik enkel een fragment van Olga Bergholz.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

Marko Pondse<\/p>\r\n\r\n

[p. 617]<\/div>\r\n

\r\nB\u00e9laja \u017eut’<\/i>+<\/span><\/a>\r\n<\/h4>\r\n\r\n
Voor Nancy en Phyllis Major<\/blockquote>\r\n\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nHij tooit zich met wat hij mooi vindt<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nexquis borduurwerk van bekochte stammen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nringen van betwijfelbare echtheid<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmaar toch heel fraaie namaak-alexanders<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
– wat voor hem telt is welving langs die neus<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndie lippen die wel uitgestorven leken<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ntotdat een kellner in Salonika ze heeft –<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nen wordt zo mooier met het gaan der jaren<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndoorschijnend als zijn vader pas heel laat werd<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nin broosheid sterk.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nMet altijd wel een strofe op de lippen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nen met zijn voorkeur voor een wit kostuum<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nw\u00e1\u00e1rom kuiste hij dan hun latrines<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nen braaksel van matrozen die hij de voeten wies<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndie zijn geleende of gekregen huisraad stalen?<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nHij had zich nooit vergooid<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nhij kon zich weerloos maken<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nhij had de kleine vleugels van geluk<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndie groeien naar men meer te boven komt.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nVraag hem dus niet om durend te beminnen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nzijn eenzaamheid is een gewonnen goed<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nondeelbaar als het weinige verdriet<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\ndat hem nog restte toen zijn wereld wit werd en<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nlandkaart van een grensloon continent.<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\nMarko Fonsdse<\/i>\r\n<\/p>\r\n\r\n

\u00a0<\/p>\r\n\r\n

Hydra, lente 1965.<\/p>\r\n\r\n<\/div>

\n

Over dit hoofdstuk\/artikel<\/h3>\n

Marko Fondse<\/a><\/p>\n
\n<\/div>

\r\n
\r\n
\n
\r\n+<\/span><\/a>\r\n<\/dt>\r\n
B?laja ?ut: witte angst. Gelicht uit een russisch gedicht van Lily Mack gericht aan M.F.<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 616] [Gedichten] Muziek: Mikis Theodorakis \u00a0 Nu een verre grammofoon Madame Hortense begraaft \u00a0 op Hydra \u00a0 weet ik mij langs de Wolga wandelen \u00a0 dat is een zekerheid. \u00a0 Mijn angst voor al wat noopt tot hero\u00efek \u00a0 vervluchtigt over wijdse boulevards. \u00a0 Stalingrad natuurlijk – \u00a0 niet de nachtmerrie natuurlijk – \u00a0… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-299519","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\n[Gedichten] · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/gedichten-19\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Gedichten] · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 616] [Gedichten] Muziek: Mikis Theodorakis \u00a0 Nu een verre grammofoon Madame Hortense begraaft \u00a0 op Hydra \u00a0 weet ik mij langs de Wolga wandelen \u00a0 dat is een zekerheid. \u00a0 Mijn angst voor al wat noopt tot hero\u00efek \u00a0 vervluchtigt over wijdse boulevards. \u00a0 Stalingrad natuurlijk – \u00a0 niet de nachtmerrie natuurlijk – \u00a0... 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