{"id":300191,"date":"1970-01-01T00:01:10","date_gmt":"1969-12-31T23:01:10","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/gedichten-38\/"},"modified":"2021-06-04T13:45:28","modified_gmt":"2021-06-04T12:45:28","slug":"gedichten-38","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/gedichten-38\/","title":{"rendered":"[Gedichten]"},"content":{"rendered":"
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[p. 470]<\/div>\r\n<\/a>\r\n

[Gedichten]<\/h3>\r\n\r\n
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\u00a0<\/div>\r\n
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Als de maat vol is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en het uur gunstig,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wekt het andante uit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de Oxford-symfonie van Haydn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het onmerkbaar verflensende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zomergroen of de verveloze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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achterkant van huizen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in een vervallen buurt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de roes van melancholie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waarin het mogelijk lijkt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vrede te sluiten met een bestaan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat aan volstrekte zinloosheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn zin ontleent.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

Hanny Michaelis<\/p>\r\n

[p. 471]<\/div>\r\n
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\u00a0<\/div>\r\n
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Vijf identieke torenflats<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op een kale vlakte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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weerkaatsen de avondzon.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Slagorde van scharlaken tekens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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steil opstekend in het niets.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De trein waarin wij zitten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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rept zich er gejaagd voorbij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als om ons het uitzicht te besparen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op de vervaarlijke schoonheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van niet te keren onheil.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\nHanny Michaelis<\/i>\r\n<\/p>\r\n\r\n

Hanny Michaelis<\/p>\r\n

[p. 472]<\/div>\r\n
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\u00a0<\/div>\r\n
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Hoe het geweest zou zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als ik je niet kende, hoogstens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van horen zeggen of gezicht –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gemakkelijker, neem ik aan:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet telkens die wespeprikken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van angst en twijfel. Maar ook<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geen eilandjes van tropisch welbehagen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in een poolzee van displezier.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\nHanny Michaelis<\/i>\r\n<\/p>\r\n

[p. 473]<\/div>\r\n
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\u00a0<\/div>\r\n
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Tegen half september werd het<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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na een legendarisch lange zomer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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opnieuw snikheet. In het stenen kamertje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waar ze aan een zuurstof-apparaat geklonken lag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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daalde toepasselijk de schemering.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Terwijl zeven verdiepingen lager<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor de deur van het ziekenhuis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een jongen en een meisje hoorbaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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afspraken de volgende dag te gaan zeilen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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kwam haar adem steeds langzamer, steeds zwakker.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Bewusteloosheid had haar altijd zorgelijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en ietwat stuurs gezicht ontspannen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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alsof ze eindelijk verzoend was met haar lot.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vier dagen later liepen we in herfstig zonlicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onder blinkende wolken door de eerste<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gevallen bladeren, haar afscheidsmuziek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(variaties van Mozart) nog in onze oren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet droefgeestig, bijna opgewekt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Jaren erna begon ik plotseling te snikken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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toen ik een witkatoenen zak terugvond<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waarop ze met drie contrasterende kleuren lint<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het overbodige woord WAS had geborduurd.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\nHanny Michaelis<\/i>\r\n<\/p>\r\n<\/div>

\n

Over dit hoofdstuk\/artikel<\/h3>\n

Hanny Michaelis<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 470] [Gedichten] \u00a0 Als de maat vol is \u00a0 en het uur gunstig, \u00a0 wekt het andante uit \u00a0 de Oxford-symfonie van Haydn, \u00a0 het onmerkbaar verflensende \u00a0 zomergroen of de verveloze \u00a0 achterkant van huizen \u00a0 in een vervallen buurt \u00a0 de roes van melancholie \u00a0 waarin het mogelijk lijkt \u00a0 vrede te… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-300191","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\n[Gedichten] · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/gedichten-38\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Gedichten] · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 470] [Gedichten] \u00a0 Als de maat vol is \u00a0 en het uur gunstig, \u00a0 wekt het andante uit \u00a0 de Oxford-symfonie van Haydn, \u00a0 het onmerkbaar verflensende \u00a0 zomergroen of de verveloze \u00a0 achterkant van huizen \u00a0 in een vervallen buurt \u00a0 de roes van melancholie \u00a0 waarin het mogelijk lijkt \u00a0 vrede te... 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