{"id":300323,"date":"1972-01-01T00:00:40","date_gmt":"1971-12-31T23:00:40","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/acht-gedichtenk-schippers\/"},"modified":"2021-06-04T13:48:54","modified_gmt":"2021-06-04T12:48:54","slug":"acht-gedichtenk-schippers","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/acht-gedichtenk-schippers\/","title":{"rendered":"Acht gedichten\r\n\r\nK. Schippers"},"content":{"rendered":"
\r\n\r\n <\/interp>
[p. 347]<\/div>\r\n<\/a>\r\n

Acht gedichten\r\n
K. Schippers<\/i>\r\n<\/h3>\r\n\r\n

Hoe een gitaar op een stoel kan liggen<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Daar ligt hij op een keukenstoel,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet eens speciaal scheef,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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klaar voor akkoord of foedraal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of om herkend te worden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En merk met hoe weinig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een toeschouwer toe kan:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wat lengte van zijn snaren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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beetje boog van zijn kast,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hoek van zijn kam, twee, drie knoppen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vier letters van de naam van zijn maker.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Van een andere kant moet ik hem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ook wel eens gezien hebben,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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rustig alleen in een etalage of op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een podium toen er iemand bij zat:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vandaar dat ik van zijn vorm<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in die keuken voldoende bij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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kan passen – genoeg fragmenten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor de hele gitaar.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Kijken is optellen in goed vertrouwen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dit is de voorkant van een lepeltje,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dan zal de achterkant er ook wel zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onder dat tafelblad<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zitten de poten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een deur en niet eens de gedachte,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat iemand in de gang<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hem open zal doen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 348]<\/div>\r\n

De tautologie van het object<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Een blauwe fles is in zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tijdrovende aanwezigheid,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mits zorgvuldig bewaard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in een kast op of een plank,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een herhaling van vorm, van kleur,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een naadloze running gag,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ook een roos in de hals<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en water op de bodem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vermelden alleen zijn positie,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn gaafheid, zijn capaciteiten:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een object in tautologie.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 349]<\/div>\r\n

Ogen door systeem besmet verdragen sommige woorden niet<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Als het ongelijksoortige niet stoorde,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waren twee kussens, een krant en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een divan ook in taal een verzameling.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Toch stoort het niet als twee kussens,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een krant en een divan bij elkaar zijn:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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we zien het.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Maar de taal moet zich op zo’n moment<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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koel en ascetisch<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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afzijdig houden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De taal moet stil zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 350]<\/div>\r\n

Zandkorrels op een radio<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Een verzameling paraplu’s:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat is wel wat.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een verzameling kopjes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op een tafel in een foyer:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat wordt al minder.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een verzameling huizen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hoofdhaar, zandkorrels,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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boombladeren, waterdruppels:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat is niets.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wel denken aan het d\u00e9cor.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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In een parapluwinkel denk je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bij een verzameling paraplu’s<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet meer: \u2018Kijk daar eens\u2019.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En zandkorrels en boombladeren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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worden weer wat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op een geboende vloer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of – helemaal – op een radio.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een kopje dat alleen staat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in een boekenkast of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op de punt van een tafeltje,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zie je eerder dan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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veel kopjes bij elkaar.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zo’n isolement verdragen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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we meestal niet lang:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het wordt bij de andere gezet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 351]<\/div>
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\u00a0<\/div>\r\n
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Maar verzamelingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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beheersen ons niet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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We kunnen doorgaans<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wel toe met series<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van \u00e9\u00e9n exemplaar.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 352]<\/div>\r\n

Het voordeel van verdekt opstellen<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Voegwoorden en lidwoorden zullen ondanks<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het wijd en zijd gebruik in teksten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van diverse stijlen en pluimage<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waarschijnlijk nooit meer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als clich\u00e9’s verworpen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of gebruikt worden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 353]<\/div>\r\n

De plantjes water geven<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Het huis van een kennis,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die met vakantie is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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leeg halen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De schilderijen, meubels,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tapijten, kachels, het servies,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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grammofoonplaten, kleding, spiegels<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en ander huisgerei<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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fotograferen en op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ware grootte afdrukken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De gefotografeerde dingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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eventueel met een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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standaard in de rug<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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– denk aan de meubels –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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weer op hun oude<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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plaats terug zetten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Messen en vorken hebben<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geen standaard nodig,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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komen gewoon in de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gefotografeerde bak<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(het zoutvaatje een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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kleine standaard).<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Bij zijn thuiskomst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zit wat de bewoner<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in het buitenland<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de laatste weken zag,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ontwikkeld door een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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plaatselijke fotograaf,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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plat in een reistas.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 354]<\/div>\r\n

Interpunctie in taal en interpunctie, bevrijd van anekdotes<\/h4>\r\n\r\n
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Na een komma, een punt. Of een puntkomma;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wellicht een dubbele punt: een vraagteken?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zo nodig een uitroepteken! \u2018Laten we het<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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anders tussen aanhalingstekens zetten\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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– of koppeltekens –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(misschien tussen haakjes)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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of juist met d\u00edt of d\u00e0t accent<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\/nee tussen schuine streepjes\/<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wacht onderstrepen kan ook<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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__________________________<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en zelfs een extra spatie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 355]<\/div>\r\n

Nieuwe schaakboeken<\/h4>\r\n\r\n
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Elk veld van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een schaakbord<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een woord geven.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zorgvuldig bedrukt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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transparant papier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van sublieme kwaliteit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wordt op het bord<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vastgeprikt en voorziet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de 64 velden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van taal.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Mogelijkheden tot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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taalvorming.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zwart en wit spelen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een partij en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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twee teksten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dat verzwaart de keuze:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is de beste zet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voor winst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ook de beste zet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voor een aantrekkelijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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taalspel?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Men kan heel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tactisch op winst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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spelen en aan het<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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eind toch met<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een zwak verhaal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zitten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 356]<\/div>
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En van een partij die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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geen punt oplevert<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kan de bijbehorende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verloren tekst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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toch interessant<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zo kunnen blunders<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tot idee\u00ebn leiden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De tekst op dat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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transparant papier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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misschien juist<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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– indien mogelijk –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zo componeren dat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een goede partij-zet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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lang niet altijd met<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een goede taal-zet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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samenvalt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Nieuwe schaakboeken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Computers, research,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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teams voor het<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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samenstellen van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de verschillende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schaak-taal-vellen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 357]<\/div>\r\n

Misschien rustig beginnen:<\/h4>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de de de de de de de de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

K. Schippers<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 347] Acht gedichten K. Schippers Hoe een gitaar op een stoel kan liggen \u00a0 Daar ligt hij op een keukenstoel, \u00a0 niet eens speciaal scheef, \u00a0 klaar voor akkoord of foedraal \u00a0 of om herkend te worden. \u00a0 \u00a0 \u00a0 En merk met hoe weinig \u00a0 een toeschouwer toe kan: \u00a0 wat lengte van… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-300323","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nAcht gedichten K. Schippers · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/acht-gedichtenk-schippers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Acht gedichten K. 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