{"id":300650,"date":"1975-01-01T00:00:58","date_gmt":"1974-12-31T23:00:58","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/twee-gedichten-4\/"},"modified":"2021-06-04T14:13:28","modified_gmt":"2021-06-04T13:13:28","slug":"twee-gedichten-4","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/twee-gedichten-4\/","title":{"rendered":"[Twee gedichten]"},"content":{"rendered":"
\r\n\r\n <\/interp>
[p. 415]<\/div>\r\n<\/a>\r\n

[Twee gedichten]<\/h3>\r\n\r\n

Cola Debrot\r\n
\r\nLiaison triste<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik weet niet hoeveel jaren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van maanlicht sedertdien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik streelspeel met haar haren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en poog haar aan te zien.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Haar ziel is mij onttrokken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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haar lijf bleef nog als pand.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zij laat zich niet meer lokken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zij deinst naar ‘t ander land,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waarvan zij in de schemer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de vage kustlijn ziet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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terwijl ik haar vervreemde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uitdrukkingen bespied<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sedert ik zoveel jaren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van maan tot maan nadien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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speel met haar gouden haren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en poog haar aan te zien.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 416]<\/div>\r\n

\r\nCola Debrot<\/i>\r\n\r\n
\r\nbe-bop brief<\/h4>\r\n\r\n
\r\nAan dr. Christiaan Engels op Cura\u00e7ao<\/i>\r\n<\/blockquote>\r\n\r\n
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\u00a0<\/div>\r\n
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Wat doe je Engels, als de dagen voor je komen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met ontstoken ogen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met klierzwelling<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aan hun achterpoot,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met de bedenking<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van balk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en splinter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in het ontstoken oog?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Want je begrijpt wel, Engels,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat is de primordiale vraag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die dagelijks zich stelt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en dagelijks onopgelost<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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weer wordt verwezen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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naar de kleine oude lade,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar zij worden opgeborgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de vreemde dingen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de allervreemdste dingen;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de twijfelachtige zegelring<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(bewijs van je markizaat)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de doorzichtige lila schaal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de kangreew<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(bewijs van je speelsheid aan het strand)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de dunne*<\/span><\/a>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 417]<\/div>
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ijldunne bikini<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(bewijs van eenzijdige ontucht)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het vijfjarenplan in slordig handschrift<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(bewijs van hoogmoedswaan).<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ik noem er maar enkele<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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om van de rest te zwijgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en niet in herhaling te vervallen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Wat moet je doen?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wat moet je doen?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Quo vadis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op de rug van het glazen speelgoed?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het antwoord staat gereed<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als je niet beter weet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als je maar weet te wittern,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zoals de Duitsers zeggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(niet zonder parmantigheid).<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het antwoord staat gereed.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Je moet maar componeren:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tumba’s, rumba’s, punya’s,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kapellen, po\u00ebmen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en andere verwisselbare objecten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het antwoord staat gereed.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het gaat om repareren:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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pati\u00ebnten, ziekenhuizen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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landhuizen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en andere verwisselbare subjecten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het antwoord loopt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tenslotte leeg.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het gaat om concipi\u00ebren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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robuuste tweelingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en gelijkwaardige eenlingwezens.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ainsi soit il<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zeggen de Fransen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 418]<\/div>
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bij hun Pernod en hun argot.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ta importami un bledo*<\/span><\/a>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit is het papiaments<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de Eilandsraad.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het mot maar,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zegt de Amsterdammer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van Drie Hoog Achter.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Maar let goed op.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Nu komt de goocheltoer.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Van al dit componeren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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repareren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en concipi\u00ebren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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blijft niet anders over<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dan de ijle rook,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de allerijlste rook<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de haast onzichtbare rook<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van Abel’s offer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de namiddag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als de leden van het kleinvee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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weer worden opgesloten in de kraal.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Misschien verneem je uit de verre verte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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nog de woorden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de Prediker.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ijdelheid der ijdelheden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Of het veel schoner woord<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van Paul Verlaine<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Je suis plus pauvre que personne<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mais tout ce que j’ai je vous le donne.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Woorden die gesproken worden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in Sodoma.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dan zijn ze onecht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Of op de mestvaalt van Job<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dan zijn ze echt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
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Over dit hoofdstuk\/artikel<\/h3>\n

Cola Debrot<\/a><\/p>\n
\n<\/div>

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\r\n*<\/span><\/a>\r\n<\/dt>\r\n
krab met doorzichtige lila-oker schaal in het Rifslijk op Curac?ao.<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div>
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\r\n*<\/span><\/a>\r\n<\/dt>\r\n
het papiamentse aequivalent voor ?ik lap het aan mijn laars?.<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 415] [Twee gedichten] Cola Debrot Liaison triste \u00a0 Ik weet niet hoeveel jaren \u00a0 van maanlicht sedertdien \u00a0 ik streelspeel met haar haren \u00a0 en poog haar aan te zien. \u00a0 \u00a0 \u00a0 Haar ziel is mij onttrokken, \u00a0 haar lijf bleef nog als pand. \u00a0 Zij laat zich niet meer lokken, \u00a0 zij… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-300650","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\n[Twee gedichten] · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/twee-gedichten-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Twee gedichten] · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 415] [Twee gedichten] Cola Debrot Liaison triste \u00a0 Ik weet niet hoeveel jaren \u00a0 van maanlicht sedertdien \u00a0 ik streelspeel met haar haren \u00a0 en poog haar aan te zien. \u00a0 \u00a0 \u00a0 Haar ziel is mij onttrokken, \u00a0 haar lijf bleef nog als pand. \u00a0 Zij laat zich niet meer lokken, \u00a0 zij... 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