{"id":300689,"date":"1976-01-01T00:00:10","date_gmt":"1975-12-31T23:00:10","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/k-schippersvijf-gedichten\/"},"modified":"2021-06-04T14:13:46","modified_gmt":"2021-06-04T13:13:46","slug":"k-schippersvijf-gedichten","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/k-schippersvijf-gedichten\/","title":{"rendered":"K. Schippers\r\n\r\nVijf gedichten"},"content":{"rendered":"
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[p. 85]<\/div>\r\n<\/a>\r\n

\r\nK. Schippers<\/i>\r\n\r\n
\r\nVijf gedichten<\/h3>\r\n\r\n

Kracht voor Graz<\/h4>\r\n\r\n
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Honderdtwintig mathematici<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vliegen over Keflavik:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kracht van wiskunde boven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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IJsland is groot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Veertig bouwvakkers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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naderen St. Brieuc:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bouwsterkte bij de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Franse westkust stijgt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Kleurkracht boven Mesjed:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Loopkracht boven Wiborg:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Kennis boven wisselende plekken –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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weetfilm boven aardbol<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Gegevens met woordnuances<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als in de meteorologie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verwerken; invloed op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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koersen van aandelen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Weetfilm in vliegtuigen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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spoedt zich kris-kras<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 86]<\/div>
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boven andere kennisfilm<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vlak bij aarde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Vliegweetfilm daalt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Passagiers raken grond<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ook experts in universiteiten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ziekenhuizen en rechtsgebouwen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zijn soms wel even<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ergens anders<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Tussenstanden over de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verspringende kennis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op aarde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Relatie tussen bewegende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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luchtkennis – kennis op grond:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schilderijenrestaurateur kijkt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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naar vliegtuig waarin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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twee museumdirecteuren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Twee hoogleraren scheikunde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vertrekken naar Graz (lucht)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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In Parijs – plaats van vertrek –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wordt een nieuwe professor<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de chemie benoemd (grond)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Tijdens de vlucht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is zijn waarde groot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vooral als hij zich meteen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bevindt bij pipetten en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kolven, retorten en schalen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zuren, zouten en basen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 87]<\/div>
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Maar in de lucht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ontdekken de hoogleraren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op papier een nieuwe stof<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Graz wacht op kracht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 88]<\/div>\r\n

Aankomst uitgesteld<\/h4>\r\n\r\n
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Man loopt door vertrouwde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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gangen van gebouw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zelfde loop zonder gebouw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bij voorbeeld op wijde vlakte:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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woestijn, bevoren meer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Loop los gemaakt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van omgeving<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Richting intact<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van doel bevrijd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 89]<\/div>\r\n

In ‘t vermiljoen<\/h4>\r\n\r\n
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Was het even blauw? Misschien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een deel. Nevel verflauwt. Meer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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toch als wat wij kennen: geel.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Enig contour? Een andere kleur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schommelt door wat leeg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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lijkt heen. Wellicht om geur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verkleurt het rood tot groen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Of door de klank – want vlug<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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daarna: alles in ‘t vermiljoen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 90]<\/div>\r\n

Kleurbesef door afwezigheid van huid<\/h4>\r\n\r\n
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Voor steek van wesp, inslag granaat,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voet boven scherf, wind die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vooraf gaat aan de klap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is voorhoofd nog gelijk aan knie,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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gaat lucht net zo onopgemerkt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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langs wang, langs hals,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is lichte druk van overhemd of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hoed of schoen of das ook nog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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afwezig genoeg om aan de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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afbeelding van blauw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in zwart-wit te denken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Voor de pijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voel je de huid niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 91]<\/div>\r\n

Elke dag premi\u00e8re<\/h4>\r\n\r\n
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Een pot moet wel gebroken zijn of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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toch minstens een barst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hebben om wat aandacht te krijgen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zo’n grote aarden pot, als hier,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op een terras in Puerto de Andraitx.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zonder functie, zonder doel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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werpt hij schaduw op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ander steen: te minimale<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voorstelling. Na een dag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zou hij zeker weer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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gaaf moeten zijn om<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kans op bijrol te maken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Als acteur is ook hij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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afhankelijk van regie –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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minstens elke dag premi\u00e8re, daarom<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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breek me, lijm me,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verf me groen, snel weer wit.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Kom met bloemen en varens.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Krab de verf van de aarde.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zijden strikken aan de oren.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
Of rustig wachten op je kans:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
begraven, dus verdwenen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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maar bewaard voor het nageslacht:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
vol met duizend gouden munten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

Uit de binnenkort bij Querido Amsterdam te verschijnen bundel: Een vis zwemt uit zijn taalgebied.<\/p>\r\n\r\n<\/div>

\n

Over dit hoofdstuk\/artikel<\/h3>\n

K. Schippers<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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