{"id":301367,"date":"1983-01-01T00:00:33","date_gmt":"1982-12-31T23:00:33","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/gedichten-49\/"},"modified":"2021-06-04T15:05:30","modified_gmt":"2021-06-04T14:05:30","slug":"gedichten-49","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/gedichten-49\/","title":{"rendered":"[Gedichten]"},"content":{"rendered":"
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[p. 335]<\/div>\r\n<\/a>\r\n

[Gedichten]<\/h3>\r\n\r\n

Dag<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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en weer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die dromen in asfaltglans<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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nu eens van heuvels in gloed dan uitholling in zwart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als een vonkende vloedgolf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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enormgrote kringen in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een oeverloze zee kikkerdril<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en overdag verandert de asfaltarena<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in iets dat veel lijkt op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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toneelstellages uit Shakespeare’s tijden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en achter elke lantaarnpaal schemeren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bergen en rivieren – en vuurtorens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en reeds wordt stad tot zee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en sneeuwhopen, ijspegels, smeltwaterplassen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn niet anders dan de kammen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van een onzichtbare zee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en die zee is onstuimig door<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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sporen van auto’s – sleetjes – overschoenen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en de jaarlijkse vervlechting<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van al die sporen, van alle tekens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wordt tot de deining van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een Stad-Zee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 336]<\/div>
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\u00a0<\/div>\r\n
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‘s avonds verandert de stad dan in stad<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de mensen gaan elkaar mensen noemen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en de doodlopende steegjes van Zamoskvor\u00e9tsje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gaan op het prille ochtendapp\u00e8l<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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stralen met dat verstilde licht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat alleen voorkomt in kinderkamers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als het uur aanbreekt voor het defil\u00e9<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van Andersens loden soldaatjes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1958<\/i>\r\n<\/p>\r\n\r\n

[p. 337]<\/div>\r\n

Mijn eigen<\/h4>\r\n\r\n
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Ik moet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met mijn lippen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de grenzeloosheid van haar ogen bereiken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en mij dan verbazen over de nauw merkbare klop<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de aderen van het onderste ooglid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en begrijpen dat dit door hun doorzichtigheid komt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en hun onlichamelijkheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zo licht en zo smartelijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn die ogen die bijna niet trillen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en ik zal van haar houden met handen en lippen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en met mijn zwijgen en droom en de straten van mijn gedichten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en met de leugen – voor staten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en met de waarheid – voor leven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en met de perrons van alle spoorwegstations<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waar ik eens voor het laatst zal verwijlen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor een blik op de hete en zwarte ruggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van locomotieven op rangeerterreinen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en haar laat ik over aan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in de rij staande mensen, aan toevluchtsoorden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in Siberi\u00eb van kleine vreselijke steden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en van haar ga ik weg en voor goed<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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naar het slachthuis der mensen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van de eeuw ook die van mij…<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1958<\/i>\r\n<\/p>\r\n\r\n\r\n

[p. 338]<\/div>\r\n

Mensen<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Nachtenlang heb ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de lijnen der stoelen lijsten en kasten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met een gebaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van mijn handen en schouders<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op hun onbekende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vaste route gevolgd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik had er geen erg in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat dit oversloeg op de mensen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik moet bekennen: in gesprekken met hen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mat ik in gedachten met mijn vingers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de boog van hun wenkbrauw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zij waren overal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zodat ik niet zou vergeten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wat leven is in de vorm van de mens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en er waren weken en jaren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om afscheid van hen te nemen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en er was een voorstelling van denken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die mij leerde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat lichtweerkaatsingen op hun piano<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bloedverwanten hebben in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ziekenhuizen en kerkers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1960<\/i>\r\n<\/p>\r\n\r\n\r\n

[p. 339]<\/div>\r\n

Geluk<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Daar waar onze ogen begonnen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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was een uitdaging van licht…<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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symmetrisch leg ik de schelpen uit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op de vreemde vrouw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die in het zand ligt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar de wolken zijn als kreten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en de hemel is vol van die kreten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en ik word de grenzen gewaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van stilte en van lawaai –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zij zijn zichtbaar aan de glimlachende vrouw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als naden in de wind;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en ik schud mij als een paard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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temidden der nazaten van breuken en kamerwanden;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en denk: mij is dat genoeg, mij gaat dat niet aan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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men moet weten dat twee mensen –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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immers Birkenau zijn, –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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o jij, mijn taboe, mijn Birkenau,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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spel van grondstof en ijzer van mij,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wonder – nee, deugt niet, mijn klein wonderding<\/i>,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018ik\u2019 – nee, deugt niet, mijn \u2018ooj!\u2019<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1960<\/i>\r\n<\/p>\r\n\r\n\r\n

[p. 340]<\/div>\r\n

Stilte<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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als dwarsdoor<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bloedende takken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dring je door naar het licht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zelfs dromen lijken hier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op een netwerk van pezen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niets aan te doen, op aarde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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spelen wij mens zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar daar –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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toevlucht voor wolken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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afrasteringen van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gods dromen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en onze stilte door ons verstoord<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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omdat wij die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ergens op de bodem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zichtbaar maakten – hoorbaar.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
En hier spreken wij met stemmen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zijn zichtbaar door schakeringen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar onze echte stemmen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zal niemand ooit horen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en puurste kleur geworden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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herkennen wij elkaar niet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1960<\/i>\r\n<\/p>\r\n\r\n\r\n

[p. 341]<\/div>\r\n

Ochtend in Peredelkino<\/h4>\r\n\r\n
\r\n\r\n
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\u00a0<\/div>\r\n
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Het leek of alles in dit huis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bezig was met zichzelf af te rekenen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wiens vingers? en flitsend: wiens licht, wiens koolmees, wiens praalhans?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of dat de bedgordijnen in hun twee helften<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zich ten geschenke gaven met ergens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onder de mensen een gloeiende bodem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en of de deuren hier bogen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op een van het nabije bos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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losgeraakt trapportaal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of dat een deel van de lichaamsbekleding –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als herfst op speelkaarten was!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dit voor het ijs! Vensterbanken – voor ijs! kindervingers – voor ijs!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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alles in afdruk van fluittoon, licht en vensterlijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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alsof zonder het meisje van dit huis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een \u2018tse\u2019 was gaan sputteren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in het door allen verlaten huis!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar kom ik binnen dan vullen zich de plafonds<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met het gekraak van bosgesprokkel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en jij gaat stralen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geheel als in stekels van klissen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet meer te stuiten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en angstpatronen als schimmen van alsem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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veranderen jou uit stokkende adem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in een ding – een huishouden van licht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 342]<\/div>
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\u00a0<\/div>\r\n
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en de ochtend wordt grondig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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grondig de tuin ook<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en alles aan jou om jou heen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zal grondig zijn in dit huis van de ochtendstond af<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als waren de dingen stuk voor stuk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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eerst zo\u00ebven ontstaan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1961<\/i>\r\n<\/p>\r\n\r\n\r\n

[p. 343]<\/div>\r\n

Requiem in de voorwinter<\/h4>\r\n\r\n
\r\nter herinnering aan B.L. Pasternak<\/i>\r\n<\/blockquote>\r\n\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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ik zal uitgeleide doen en blijven staan als zwijgzaam koor<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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heel die voorbestemde dag in gods ruimte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met de roerselen van een winters uitgestippelde dag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als met roet aan mijn zijde –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en de tijd brengt zichzelf voort<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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sneeuw in de wereld losgelaten wervelt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bij de poorten van kloosters<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en mij lijkt vandaag de noodzaak van veel voorbijgangers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een steun toe van buiten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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terwijl het peil van de eeuw al is bepaald<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en het niveau van de roem eist<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het gezicht naar stilte te keren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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blijft niet het boek maar de atlas van passie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in de stilte op tafel bewaard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar het jaar roert als roet aan de huizen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in de oude eeuw waarin boeken lijken verscheurd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waar elke bladzijde eisen zal stellen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van eigen lijn en vouw van zichzelf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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door mijn mouwen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waar koude het raam er vlaknaast maar daarachter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
sneeuwverstuivingen poorten en huizen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1962<\/i>\r\n<\/p>\r\n\r\n\r\n

[p. 344]<\/div>\r\n

Bij requiem in de voorwinter<\/h4>\r\n\r\n
\r\nvoor O.V. Ivinskaja<\/i>\r\n<\/blockquote>\r\n\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
In die dagen bleef zijn aardse slaap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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mogelijk alleen in uw oogleden over<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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uit de verte wisselde hij hun kleur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en bracht in parken door verdriet zonsondergangen teweeg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en als van een nooit gezien en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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allerzachtmoedigst wild dier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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waren in hun blik op de velden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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daarna de wimpers met rijp bedekt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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daar zijn de tuinen van uw verdriet al anders…<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en op de verre grafzerk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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leg ik nieuwe naamloze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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bloemen neer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
als herdenking en neerslag in verzen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\n1965<\/i>\r\n<\/p>\r\n\r\n\r\n

[p. 345]<\/div>\r\n

Aantekeningen bij de gedichten<\/h4>\r\n\r\n

\r\nDag<\/i> – Zamoskvor\u00e9tsje is een voorstadswijk in Moskou, letterlijk: \u2018aan de andere kant van de Moskva-(rivier)\u2019.<\/p>\r\n\r\n

\r\nOchtend in Peredelkino<\/i> – Peredelkino is de schrijverskolonie dichtbij Moskou, waar ook Pasternak een villa had die in dit gedicht centraal staat.<\/p>\r\n\r\n

\r\nRequiem in de voorwinter<\/i> – heeft als onderwerp de begrafenis van Boris Pasternak op 2 juni 1960 in Peredelkino.<\/p>\r\n\r\n

\r\nBij Requiem in de voorwinter<\/i> – Olga Ivinskaja was in Pasternak’s laatste levensjaren zijn beste vriendin. Zij publiceerde in 1977 haar memoires (Nederlandse vertaling: Gevangene van de tijd<\/i>, Amsterdam 1978). – De term \u2018wild dier\u2019 in dit gedicht heeft betrekking op Pasternak’s vertwijfelde gedicht na ontvangst van de Nobelprijs en zijn daarop volgende verguizing in Rusland, een gedicht met als eerste strofe:<\/p>\r\n\r\n

\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nopgejaagd als een wild dier, verloren<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmet ergens mensen nog en vrijheid, licht<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nmaar achter mij de meute, koren<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nvan kreten – elke deur is dicht…<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

Gennadi Ajgi<\/a><\/p>\n

Charles B. Timmer<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 335] [Gedichten] Dag \u00a0 en weer \u00a0 die dromen in asfaltglans \u00a0 nu eens van heuvels in gloed dan uitholling in zwart \u00a0 als een vonkende vloedgolf \u00a0 enormgrote kringen in \u00a0 een oeverloze zee kikkerdril \u00a0 \u00a0 \u00a0 en overdag verandert de asfaltarena \u00a0 in iets dat veel lijkt op \u00a0 toneelstellages uit… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-301367","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\n[Gedichten] · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/gedichten-49\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Gedichten] · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 335] [Gedichten] Dag \u00a0 en weer \u00a0 die dromen in asfaltglans \u00a0 nu eens van heuvels in gloed dan uitholling in zwart \u00a0 als een vonkende vloedgolf \u00a0 enormgrote kringen in \u00a0 een oeverloze zee kikkerdril \u00a0 \u00a0 \u00a0 en overdag verandert de asfaltarena \u00a0 in iets dat veel lijkt op \u00a0 toneelstellages uit... 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