{"id":301760,"date":"1986-01-01T00:01:12","date_gmt":"1985-12-31T23:01:12","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/rene-stoutevier-notities\/"},"modified":"2021-06-04T15:07:37","modified_gmt":"2021-06-04T14:07:37","slug":"rene-stoutevier-notities","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/rene-stoutevier-notities\/","title":{"rendered":"Ren\u00e9 Stoute\r\n\r\nVier notities"},"content":{"rendered":"
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[p. 413]<\/div>\r\n<\/a>\r\n

\r\nRen\u00e9 Stoute<\/i>\r\n\r\n
\r\nVier notities<\/h3>\r\n\r\n

De magere dichter A<\/h4>\r\n\r\n
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Zelf zei hij te schrijven:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u2018gedichten als dunne kale bomen\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hij wierp de vraag:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u2018Wie kan zo mager praten met de taal als ik\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en stelde daarop vast:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u2018Om pijn te schrijven heb je weinig woorden nodig\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nmager<\/span> praten met de taal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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steeds meer wit en weggelaten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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platgebrand en uitgebeend –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wie, wie in dat landschap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kan daar blijven?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Jaren na de dood<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de magere dichter A<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ligt zijn nalatenschap bij mij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op tafel: dunne bundels taal –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\ntaal<\/span>?!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Huiveringen trekken inwaarts<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bij een erfenis zo bar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en tussen zijn regels zie ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een bijl<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schrikbarend binnen handbereik.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 414]<\/div>
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Het kappen van de kale bomen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is een troosteloos bedrijf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waarbij de vraag zichzelf werpt:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kwam hij aan een afgrond<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waaraan witte dieren stonden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zag hij vaag ook de gestalte van een man<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zittend aan een platte tafel, weerloos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wachtend op een teken?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\nmager<\/span> weten ogen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die zich legen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aan een helderheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de alles verklarende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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duisternis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van een taal niet langer bestaat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de duisternis van geboorte & afbraak –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ik neem de bijl niet op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik weiger deze erfenis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mijn tafel moet weer schoongemaakt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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taal is soms als bloed<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vergoten door een ander<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het is genoeg nu<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en te weinig:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 415]<\/div>
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Wie in dat landschap is gebleven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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heeft permanent zijn pijn geschreven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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maar niemand weet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kon hij de bomen krakend horen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in hun praten de val<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bij het einde van een dichter.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zo wrang<\/span> de toon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dit nutteloos leven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de verrotte pijn van het zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voor wie moet sterven als A.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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gruwelijke, magere dood.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 416]<\/div>\r\n

Stationshal Arnhem<\/h4>\r\n\r\n
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Wegens 1 trein te vroeg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een half uur gewacht &<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het leven bespied<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de hal van station Arnhem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar aangetroffen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een kroketten-automatiek<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(tevens voor nassischijven<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en ballen gehakt)<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een lektuurkiosk<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een slipjesautomaat<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een bloemist<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een reisbureau<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een petit-restaurant<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een muur met leunende<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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neger<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als onmiskenbare vertegenwoordiger<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van provinciaalse zelfkant<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waarbij te denken valt aan:<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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drugs<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 417]<\/div>
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\u00a0<\/div>\r\n
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& een wat oudere heer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die zogenaamd ge\u00efnteresseerd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een aanplakbiljet bestudeerde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ongedurig vanuit ooghoek keek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op jacht naar treinjongens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zonder te beseffen dat op zijn rug,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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losgeschoten uit zijn boord,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een van zijn bretellen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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kokette wipjes maakte.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(kerstochtend 1985)<\/p>\r\n\r\n\r\n

[p. 418]<\/div>\r\n

Subversie<\/h4>\r\n\r\n
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Neem eens de trein door je zenuwstelsel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waag je een keer aan een herseninbraak<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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veroorzaak een rel in het spitsuur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van je gedachten waar alles geordend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als een dolleman om chaos vraagt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Neem eens de tijd voor een kier op de waanzin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vecht honden en spreeuwen in een te krappe gangkast<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ga mee door de stad met een optocht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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naar een plein zodat je eindigt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in een vreselijk gedrang van varkens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en je kijkt –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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daar liggen je ingewanden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Neem eens een hap uit een ruif vol watten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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draag hemden met grauwe boordjes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vraag folders aan bij reisbureau’s<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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sluit je op in een vochtige kelder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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koudzweet in je nek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zet vervolgens overal Biedermeierstoeltjes neer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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klim dan zelf tegen een hek dat moet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nschakel de stroom in en sidder<\/span>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 419]<\/div>
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Negeer de Grote Parade<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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neem een trein<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zonder dienstregeling<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dwars door je zenuwstelsel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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werp omver de bestaande orde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als je het slim speelt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hoeft geen mens het te merken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 420]<\/div>\r\n

Levenslied<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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In het Rotterdamse havenkwartier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
staart een blinde zeeman<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
op een viltje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
– oranje boombier<\/span> –<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
bon chanson<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
accordions<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
hij denkt zijn Ghana meisje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
In het zelfde caf\u00e9<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
steekt een nozem (leren jack)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
twee muntjes in de juke-box<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
vandaag op de kop af zoveel jaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de stervensdag van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
Elvis Presley<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
– oranje boombier<\/span> –<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Herinnering, vergetelheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
bon chanson<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
a little sad<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de zeeman hapt een bitterbal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
The King is dead, de juke-box stopt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
buiten barst een noodweer los<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de nozem trapt zijn brommer aan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
onder een druipend uithangbord<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
– oranje boombier<\/span> –<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over het gehele werk<\/h3>\n

over Domenico Scarlatti<\/a><\/p>\n

Over dit hoofdstuk\/artikel<\/h3>\n

Renate Stoute<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 413] Ren\u00e9 Stoute Vier notities De magere dichter A \u00a0 Zelf zei hij te schrijven: \u00a0 \u2018gedichten als dunne kale bomen\u2019 \u00a0 hij wierp de vraag: \u00a0 \u2018Wie kan zo mager praten met de taal als ik\u2019 \u00a0 en stelde daarop vast: \u00a0 \u2018Om pijn te schrijven heb je weinig woorden nodig\u2019 \u00a0 \u00a0… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-301760","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nRen\u00e9 Stoute Vier notities · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/rene-stoutevier-notities\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ren\u00e9 Stoute Vier notities · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 413] Ren\u00e9 Stoute Vier notities De magere dichter A \u00a0 Zelf zei hij te schrijven: \u00a0 \u2018gedichten als dunne kale bomen\u2019 \u00a0 hij wierp de vraag: \u00a0 \u2018Wie kan zo mager praten met de taal als ik\u2019 \u00a0 en stelde daarop vast: \u00a0 \u2018Om pijn te schrijven heb je weinig woorden nodig\u2019 \u00a0 \u00a0... 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