{"id":301806,"date":"1987-01-01T00:00:09","date_gmt":"1986-12-31T23:00:09","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/hans-vlekgedichten-2\/"},"modified":"2021-06-04T15:07:54","modified_gmt":"2021-06-04T14:07:54","slug":"hans-vlekgedichten-2","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/hans-vlekgedichten-2\/","title":{"rendered":"Hans Vlek\r\n\r\nGedichten"},"content":{"rendered":"
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[p. 68]<\/div>\r\n<\/a>\r\n

\r\nHans Vlek<\/i>\r\n\r\n
\r\nGedichten<\/h3>\r\n\r\n

Improvisatie voor een ik<\/h4>\r\n\r\n
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Deze schriftuur lijkt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sprekend versregelen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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je breekt de taal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als hostiebrood.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Je bent dan ook volkomen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van zinnen iets te schrijven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waarin de gehavende taal, die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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je lichaam is, opbloeit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als een woestijncactus.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Verder alles in orde.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Je lijdt niet en bent niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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eenzaam omdat je peilloos eenzaam<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bent en je gelooft in god en dat je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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goed uit je woorden kunt komen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als een schildpad uit z’n ei.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het gedicht waait weg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en niemand mist het.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 69]<\/div>\r\n

Apr\u00e8s Godot<\/h4>\r\n\r\n
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Om te schrijven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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heeft men geen mond nodig.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Altijd verwacht men van het woord<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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spektakel. Alsof’n apocalyps<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op de erwt aarde noemenswaard zou<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zijn in de holle kies van god<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met daar: ivoren droompaleizen etc.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De gedachte die kalm voortijlt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zaait achter de sterren, dichtbij,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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nieuw leven in manenschaduw. Een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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gepantserde perspex pissebed.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het gekrijs van de verlorenen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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onder de plotse zon der atoomgeleerden:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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niemand staart er bewonderend omhoog.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Milliarden dwarrelende naslagwerken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Wat leuke ontploffinkjes in een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uithoek van het heelal.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Een andere uithoek maakt de dichter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vast gezellig voor ‘t geval<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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u daar ooit komen zal.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 70]<\/div>\r\n

Alle menschen<\/h4>\r\n\r\n
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Waar anderen ambrozijn uit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hun woorden peuren, ben ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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nog steeds op zoek naar brood.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Volksvrouwen te betrekken bij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de anatomie en autonomie van het<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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moderne rijmloze gedicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is vrijwel onmogelijk.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Arbeiders, met alle respect,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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denken dat je rijmen schrijft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met kop en staart en kunnen er<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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beslist geen sisal aan vast knopen. Ver-<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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moeid lezen ze vrijwel nooit, on-<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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danks alle socialistische eminentie.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dus in het bruine buurtcaf\u00e9 zit je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als een zonderlinge vogelverschrikker<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wat voor je uit te staren, wereldvreemd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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geborgen in nesten van taal, bang<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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alles uit te moeten leggen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Er gaapt een diepe kloof<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en je hebt niets te zeggen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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[p. 71]<\/div>
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Je probeert wat over ‘n sportbericht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en broedt op ‘n proletarisch gedicht:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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want alle mensen worden broeder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op het ei der muzemoeder. Maar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar anderen ambrozijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uit hun woorden peuren, ben jij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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nog steeds op zoek naar brood.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 72]<\/div>\r\n

Een oudere hemel<\/h4>\r\n\r\n
\r\nvoor Dra. Miek Zilverberg<\/i>\r\n<\/blockquote>\r\n\r\n
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Ik sprak met de maker<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de schilders van Altamira,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die dierenvellendragers met hun<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kudden en flink gevoel voor stijl, en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zei: maker, bespaar me je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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joods-hindoestaanse arabisch-gristelijk hier-<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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namaals met z’n geheven bekers en heilige<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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rondborstige hoeri’s en godinnen in hun lichtshow,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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maar schenk me het genoegen eenmaal te<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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snurken in zo’n grot op de schouders<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van een Willendorfse mamma<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in een paleolithische dageraad,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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laat me de vuurpot dragen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tussen de javamensen op een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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flink dieet van tropisch fruit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Immers maker, zei ik, als ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met Augustinus de somabeker hef<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in het gezamenlijk schateren over diens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kolderiek manicheesch verleden in ‘t<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kleurig cinemascope der werkelijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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allerhoogste hemelen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 73]<\/div>
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zie ik toch weer liever eens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de Archeopterix overvliegen, ergens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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relaxend in een carboonse bladerhut, of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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loop tussen de etruskische straatjeugd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hun vaardigheid in tempelgraffiti<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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te bewonderen, hun smakelijke schuttingtaal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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want maker, back in time<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is top of the pops, dus bespaar me<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in godsnaam je hemel, je celestiale<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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lichtshow vol hebreeuwsromeinse be-<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schaving en beslist psychedelisch fruit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Schenk mij ooit een forse kanninefaatse<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die haar klokbekers bakt en versiert,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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haar hartveroverende sieraden schikt, of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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desnoods een goedgehumeurde pyramidesteenzager,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kortom, onge\u00ebvolueerde eeuwigheid, het<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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paradijs van de dodo, dode<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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rideine, geprezen zijt gij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

Hans Vlek<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 68] Hans Vlek Gedichten Improvisatie voor een ik \u00a0 Deze schriftuur lijkt \u00a0 sprekend versregelen, \u00a0 je breekt de taal \u00a0 als hostiebrood. \u00a0 \u00a0 \u00a0 Je bent dan ook volkomen \u00a0 van zinnen iets te schrijven \u00a0 waarin de gehavende taal, die \u00a0 je lichaam is, opbloeit \u00a0 als een woestijncactus. \u00a0 \u00a0… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-301806","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nHans Vlek Gedichten · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/hans-vlekgedichten-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hans Vlek Gedichten · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 68] Hans Vlek Gedichten Improvisatie voor een ik \u00a0 Deze schriftuur lijkt \u00a0 sprekend versregelen, \u00a0 je breekt de taal \u00a0 als hostiebrood. \u00a0 \u00a0 \u00a0 Je bent dan ook volkomen \u00a0 van zinnen iets te schrijven \u00a0 waarin de gehavende taal, die \u00a0 je lichaam is, opbloeit \u00a0 als een woestijncactus. \u00a0 \u00a0... 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