{"id":301999,"date":"1989-01-01T00:00:23","date_gmt":"1988-12-31T23:00:23","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/willem-jan-otten-2\/"},"modified":"2021-06-04T15:09:23","modified_gmt":"2021-06-04T14:09:23","slug":"willem-jan-otten-2","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/willem-jan-otten-2\/","title":{"rendered":"Willem Jan Otten"},"content":{"rendered":"
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[p. 136]<\/div>\r\n<\/a>\r\n

\r\nWillem Jan Otten<\/i>\r\n<\/h3>\r\n\r\n

Namens de Pappenheimers<\/h4>\r\n\r\n
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Zij is unzeitgemass, zeker in de schemering,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zoals zij schim wordt op de steiger, nat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tot aan haar middel van het schuim,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en afgewend van ons, valeurs en sorbeteters.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zij is de koningin, die van haar man zijn dood<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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niet horen wil, Penelope halsstarrig, brandaris<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van een lege zee, sjofel oog gevuld met<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sterren duizend eeuwen eerder uitgedoofd –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wat moet ons inge\u00f6lied eiland met een vrouw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die wuivend stolt en ons vergeet, en alles<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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om haar heen wordt bruidegom, een voorhoofd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in haar schoot, kijk dan hoe de branding knielt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en armen om haar heupen slaat, wat moeten wij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met zo een koppig beeld van missen hier op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ithaka waar missen niet kunnende kopen is –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 137]<\/div>\r\n

De droom van een lage mist<\/h4>\r\n\r\n
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Ook in een aangespoelde jerrycan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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herkende zij haar man, geoefend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als zij raakte in bereid zijn tot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hereniging, en daarom hield zij zo<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van mist. Dan werd de kade vensterbank,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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heel Ithaka werd binnenshuis,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de aanlegsteiger werd een brug<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uit haar gepeins haar sluimer in,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de lage mist waarachter zoveel zon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat hij, zodra zodra, van inkt zou zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Oostindisch silhouet voor laaiend vuur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Haar wijze van wezen was dat iets ontbrak.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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En wie zij zelfwas, en wat zij peinzend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ondervond, en hoe zij opkeek uit haar peinzen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en de wereld ondervond als mateloos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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veel minder tastbaar dan wat haar ontbrak,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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daarover peinzen, wist Penelope,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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maakt mij vreemder dan de minst behuisde man,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en daarom houd ik zo van lage mist,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dan is de wereld weg en even echt als ik,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 138]<\/div>
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dan hoef ik hem niet verder in te denken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dan tot ach, waar ken ik u toch van?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Geen meter verder dan zijn aankomst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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droom ik hem daar in die film noir,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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daar blijven wij met tussen ons de planken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de natte rede al die jaren ongerepareerd,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en wij besterven het, dit ogenblik – jij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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juist nog ongewis, en ik nog juist<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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jouw tastbaarste herinnering, wij beiden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van even verre, van uit \u00e9\u00e9nzelfde mist.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 139]<\/div>\r\n

De beloofde zee<\/h4>\r\n\r\n
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En heb het lef niet te beweren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat ik niets heb meegemaakt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en jij geleefd, meneer Polutropos,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat jij de man van ondervinding bent,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en ik Penelopeetje Roermeniet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zo zijn wij niet getrouwd, oh nee.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Met elke rukwind door mijn populier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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heb ik jouw touwen laten kreunen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met elk strijklicht over mijn getouw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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heb ik jouw stuurmansfrons betast,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en met jouw oogopslag ben ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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langs elke sterrenacht gegleden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die hautain en marmerzwart boven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ons terras verrees, en dan werd ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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jouw achterhoofd genesteld op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een eiland en ik staarde uit het zand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de sterren in en op mijn hand lag nog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een hand van sowieso een koningin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die met haar achterhoofd al evenzeer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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genesteld lag, en dat dan tussen de vleug<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 140]<\/div>
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van jouw ademende ribben in, en ook<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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door haar keek ik omhoog, en ondervond, o,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\nook<\/i> bedenken deed mijn hoofd nooit niet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik ondervond waar jij geen flauw benul<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van hebt – de ingebeelde terugtocht,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de ongestuurde reis mijn stilstand in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en jij was die ik schaduwde en niemand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bond mij aan een mast, ook niet toen jij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uitzinnig werd van vrouwestemmen achter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het geruis, en sterven kon van willen sterven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in een polyfoon genot – ik werd die stemmen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ook gewaar, Odysseus doof, ook, ook,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ze klonken binnenoors, ik was Sirene<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en Odysseus en Penelope inene en ik wist<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van alledrie: er is aan hun bevreemding<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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geen limiet, aan vreemde willen zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voor vreemde ogen, hypothetisch,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een beloofde zee waarin wie weet \u00e9\u00e9n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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palm \u00e9\u00e9n parasol \u00e9\u00e9n koele hand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van iemand die ons even ver bereizen wil<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en daarom wacht, wacht, wacht.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 141]<\/div>\r\n

Een meeuw gevleugeld zolang hij vliegt<\/h4>\r\n\r\n
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Haar eiland is een samenstel van rondingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en breingelijk. De ellebogen van de duinen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en de knisperende accolades van het schuim,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de flauwe bochten van het boomschorspad,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Telemachus zijn kruin, rond is alles op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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haar Ithaka en nooit iets afgerond,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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haar wereld is niet te onthouden, die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bestaat alleen zolang zij voortbeweegt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zich vergewissend van de rondingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als waren zij de blauwe brief, de enige,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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gestempeld Navel Van De Zee, de brief<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waarvan de woorden zonder zin geworden zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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maar waarvan de lussen van de letters,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de buiken van de b, de krullen aan de k,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de ware strekking zijn geworden, en die strekking<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vat Penelope alleen zolang zij leest.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
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Over dit hoofdstuk\/artikel<\/h3>\n

Willem Jan Otten<\/a><\/p>\n
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[p. 136] Willem Jan Otten Namens de Pappenheimers \u00a0 Zij is unzeitgemass, zeker in de schemering, \u00a0 zoals zij schim wordt op de steiger, nat \u00a0 tot aan haar middel van het schuim, \u00a0 en afgewend van ons, valeurs en sorbeteters. \u00a0 Zij is de koningin, die van haar man zijn dood \u00a0 niet horen… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-301999","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nWillem Jan Otten · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/willem-jan-otten-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Willem Jan Otten · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 136] Willem Jan Otten Namens de Pappenheimers \u00a0 Zij is unzeitgemass, zeker in de schemering, \u00a0 zoals zij schim wordt op de steiger, nat \u00a0 tot aan haar middel van het schuim, \u00a0 en afgewend van ons, valeurs en sorbeteters. \u00a0 Zij is de koningin, die van haar man zijn dood \u00a0 niet horen... 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