{"id":302059,"date":"1989-01-01T00:01:15","date_gmt":"1988-12-31T23:01:15","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/h-h-ter-balkt-2\/"},"modified":"2021-06-04T15:38:27","modified_gmt":"2021-06-04T14:38:27","slug":"h-h-ter-balkt-2","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/h-h-ter-balkt-2\/","title":{"rendered":"H.H. ter Balkt"},"content":{"rendered":"
\r\n\r\n <\/interp>
[p. 510]<\/div>\r\n<\/a>\r\n

\r\nH.H. ter Balkt<\/i>\r\n<\/h3>\r\n\r\n

In de kalkbranderij van het absolute, 1<\/h4>\r\n\r\n
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In de kalkbranderij van het absolute<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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staat de Atlas Slaaf van Michelangelo<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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marmerbestoven en ook de drie andere<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ofschoon hij uit steen gehakt is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en een trefzekere beitel hem en hen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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allen in het ongewisse laat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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rondtastend in het duister; de Atlas<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Slaaf, op zijn rug een vreemd verhakte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wereld en is dat de wereld nog wel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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onaf, onaf; wat af is dat is al onaf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en zeker geldt dat voor wat onaf is;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vaak overtreft wat onaf is wat af is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en daar staat hij nu nog net zo – niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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langer in de werkplaats van de maker; bij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de engel met haar gehavende vleugel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 511]<\/div>\r\n

In de kalkbranderij van het absolute, 2<\/h4>\r\n\r\n
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Maar hier staat wat de moeder drijft, en de tijd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aan ‘t modderzwarte vliegwiel van de geschiedenis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het is de hartslag en de diepe bedroefdheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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En zoals bekend, de droefenis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is dikwijls sneeuwwit; reinheid leliewit onder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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haar leli\u00ebn is dikwijls bitter zwart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Die hier rondzwierf door Florence, liep met<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dansende stappen en heeft het gemaakt:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de moeder en haar verloren zoon die het licht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verkondigde en zei dat hij de waarheid was<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Kijk nu wat de zoon overkwam, scheuring, o<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de kracht van het beeld zit niet in ‘t verhaal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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maar in de spieren van het gesteente, zo-<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als de spot van ‘t vers joelt in de beenderen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de woorden en niet in ‘t vet van druppelende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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adjectieven, kroonluchters, adjectieven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit had zijn grafteken moeten zijn, zekere<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Calcagni verprutste het, zie die elleboog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dat was geen beelhouwer, dat was een knoeier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ook de dichters zwerven rond.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\nhet<\/i>, achtste regel: de Pi\u00ebta van Michelangelo; Dom-museum; Florence Calcagni<\/i>, Tiberio Calcagni was de weinig begaafde vriend van een vriend van Michelangelo.<\/p>\r\n\r\n\r\n

[p. 512]<\/div>\r\n

In de kalkbranderij van het absolute, 3<\/h4>\r\n\r\n
\r\n\u2018subject is object geworden\u2019<\/i>\r\n<\/blockquote>\r\n\r\n
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\r\ntl<\/span>-buizen van kalk verbinden mijn knie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met mijn sleutelbeen, de voet met de hand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De evenementenhal van de kleine hersenen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schudt in de storm die onverschrokken waait<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het ik is een ding op de weg die geen weg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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meer is en ook is ieder ding nu een ander ding<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De zenuwen werken nog hard, naar behoren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De medicijnen zijn wijze doktoren; ergens,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ver weg in een ander heelal worden wij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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onafgebroken gadegeslagen door pleurantes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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En de hekken doen hun best hekken te zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de lynxen zijn nog lynxen, de katten katten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Bacchus die eigenlijk Christus is en Christus<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die nu Freud genoemd wordt zwijgen; ze zwijgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zon en maan zijn doodstille constructies<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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En de mensen zijn ratelende machines<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De Sargassozee van duisternis en schrik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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strekt zich uit in mijn handpalm; onrustig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in haar glazen kist slaapt de wereld en praat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in haar slaap, het is doornroosje de televisie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in een hoekje op de wereldbol; in de gieterij;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de meterkast van de melkweg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 513]<\/div>\r\n

In de kalkbranderij van het absolute, 4<\/h4>\r\n\r\n
\r\nHendrik en Mina Visscher<\/i>\r\n<\/blockquote>\r\n\r\n
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Moe groen lavasblad kraakten de wegen, alle<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Verpulverend als het oude wielerstadion echo\u00ebnd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met \u00e9en spookrijder misschien met de naam Eug\u00e8ne Christophe<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Geiten mekkerden, de hemel zette haar blauwe hoed op en af<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het gras vol kamille, margrieten, zuring, boterbloemen en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de aarde in sluimer nog van loden oorlogsmedicijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hendrik en Mina Visscher verwelkomden ons onder de linde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hendrik en Mina Visscher zaten onder hun booglamp<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Alles op zijn plaats, de spookwielrenner in het stadion<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De geiten in hun wollige berm, het blauw verpulverend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als lavasblad in juli; tokkelende gitaren van de zuring<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Mina met haar glimlach en Hendrik met zijn gekliefde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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houtblok-gezicht; hun dochters bestegen de ladder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De heldere thee geloofde in God, en de ranja geloofde in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Allah<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Vroegrijp verpulverde de hitte als lavasblad; onhoorbaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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begonnen de vliegtuigbommen in de aarde te ontluiken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De blauw-bronzen lucht was een deur van Ghiberti<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Wakkere kamille, vrolijke zuring, herkauwende koeien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Door de droge middag, over zijn stuur gebogen, joeg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de spookwielrenner in ‘t verpoederende stadion<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(1989)<\/p>\r\n\r\n\r\n

[p. 514]<\/div>\r\n

In de kalkbranderij van het absolute, 5<\/h4>\r\n\r\n
\r\n20 Maresfield Gardens, Hampstead<\/i>\r\n<\/blockquote>\r\n\r\n
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‘La Fortezza\u2019 voorbij houdt de taxi stil<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in Hampstead in 1939, Duiveveertjes dwarrelen –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Narcissus met zijn rug van een rups, \u00e9\u00e9n hand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aan het hoofd geslagen wacht op de oorlog en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de dreunende stem van Cellini, hier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in Maresfield Gardens nummero Twintig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Aan het eind van de Sleutelbloemheuvelweg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het belang van verborgen motieven ontgaat iede-<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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reen. Het belang van Doek 677 van M.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hier barst de oorlog nooit uit, hier rust<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gebeente uit van spookachtige jaren en de zeer eervolle brief van E., \u2018Dear Herr Freud\u2019<\/i>,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n\u2018Please do not reply\u2019<\/i> Een niet regenachtige<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
avond, jankte de viool in Man Poh, daro:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Leicester Square. Wat wist hij van Londen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
van de regens ver van de Tanden te Wenen;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
een rookwolk ontsteeg zijn houten kaak. Oorlog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
daalde op de wikke, bloem van de dwaalwegen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u2018La Fortezza\u2019 – Botticelli<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 515]<\/div>\r\n

In de kalkbranderij van het absolute, 6<\/h4>\r\n\r\n
\r\nUitlegging van het gehucht<\/i>\r\n<\/blockquote>\r\n\r\n
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Het gehucht spreekt met zijn rohrschach test<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
af dat het jou goed kent. Het gehucht sluimert<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
onder het roet van drie industrie\u00ebn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De groenteman speelt in butler-stukken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de tweede kruidenier is een kinderlokker,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de meid van de eerste kruidenier heet Klaasje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
en de eerste kruidenier leest \u2018Lolita\u2019,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
weliswaar in een belatafelde vertaling –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
maar hij heeft ook een polaroid-camera.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Men kan het gehucht niet afdoen met zijn sluis,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zijn masochistische populieren boven zijn slager<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
die de hakmessen afspoelt in stilstaand water;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
het gehucht kent Van Goghs verloren stap nog,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zonnebloemen en turfvuurs slepende rook.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Zonder kerk speelt dag in dag uit ‘t oncarillon.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De arts van het gehucht beveelt in alle gevallen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u2018Snijden, Pletten, Openbreken, Verbrijzelen\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Er zal \u00e9\u00e9n popgroep zijn, \u00e9\u00e9n duister voorval<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
(van de ontmanning van een negenjarige<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
in het paarse zwembad door de grote Voorlopers),<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
van ambulances ruzi\u00ebnd op de asfaltweg.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De notaris overlijdt elke dag in zijn villa;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
‘t hoofd der school krijt zijn oorlogsverleden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
en maakt \u00e9\u00e9n carambole in Hotel Grimm;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de waterspiegel juicht als de brug neerzinkt;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de winter reinigt hier witter dan vim.<\/span>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Je ontsnapt er niet aan de kreeften-ogen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de populieren star als apostel-lepeltjes,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
het oranjebitter op de koninklijke feesten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Sterf hier, als je blijven wilt, lang.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De raad van de wind is, Lach en reis verder.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

H.H. ter Balkt<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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