{"id":302641,"date":"1995-01-01T00:00:10","date_gmt":"1994-12-31T23:00:10","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/jan-baeke-6\/"},"modified":"2021-06-04T18:07:59","modified_gmt":"2021-06-04T17:07:59","slug":"jan-baeke-6","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/jan-baeke-6\/","title":{"rendered":"Jan Baeke"},"content":{"rendered":"
\r\n\r\n <\/interp>
[p. 57]<\/div>\r\n<\/a>\r\n

\r\nJan Baeke<\/i>\r\n<\/h3>\r\n\r\n

Ooggetuigen<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Dit is een merkwaardig schilderij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van jonge maniakken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met het duurzame karakter van atleten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze vullen de contouren van een buitenwijk.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze dansen in het hart van de vijand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als in hun eigen hart.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Ze demonteren de kreupele uren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met de nauwgezetheid van een klokkenmaker<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met het vuur van slopers.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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In het park, dichtbij de rand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn hun gezichten te ontcijferen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Nomaden, verstrikt in hun musculatuur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Colporteurs van de nacht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onder blikjes bier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geparkeerd in de tijd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als een bevroren pizza.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 58]<\/div>\r\n

De paardensalon<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Het zijn hun gracieuze bewegingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die bewondering afdwingen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Scherpe gelaatstrekken, complexe danspassen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wie zou de paarden niet benijden?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Werd het ons verboden hun salon te betreden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wij zouden ons voor hun voeten werpen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en smeken toegelaten te worden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze hebben begrip voor onze vasthoudendheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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omdat ze, net als wij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ontelbare boeken bevolken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zich allerlei wreedheden herinneren.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het stemt ze nooit meewarig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die nieuwsgierigheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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naar welk paard ze van binnen zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze vervolmaken hun choreografie\u00ebn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zweven in hun pas de deux<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de rijkversierde kamers door.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De schittering wordt steeds intenser.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De paarden worden meer paard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bij iedere beweging.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 59]<\/div>\r\n

Nooit zonder de paarden<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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Er zijn redenen de paarden te vrezen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze zijn niet in staat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een vuur te maken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of een venster te openen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar ze hebben een geheugen als een paard.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze hebben aan hun verleden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een machtige en dierbare vriend.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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E\u00e9n die ze van de twijfel kan beroven.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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E\u00e9n die ze moed verleent<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en toegang tot gevaren.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wij mijden die gevaren.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wij rekenen op een goed gesternte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in de opvatting dat een groeiende duisternis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ons iets kan leren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat de paarden nog niet weten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wij vergelijken de paarden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met zeldzame ikonen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zien achter ons de schoonheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die wij vrezen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het wetten van de paardehoeven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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De zweep in onze handen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
We wachten op de paarden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als op onze ondergang.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoe sterker onze aandacht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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des te stiller de paarden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

Jan Baeke<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 57] Jan Baeke Ooggetuigen \u00a0 Dit is een merkwaardig schilderij \u00a0 van jonge maniakken \u00a0 met het duurzame karakter van atleten. \u00a0 \u00a0 \u00a0 Ze vullen de contouren van een buitenwijk. \u00a0 Ze dansen in het hart van de vijand \u00a0 als in hun eigen hart. \u00a0 \u00a0 \u00a0 Ze demonteren de kreupele uren… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-302641","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nJan Baeke · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/jan-baeke-6\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jan Baeke · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 57] Jan Baeke Ooggetuigen \u00a0 Dit is een merkwaardig schilderij \u00a0 van jonge maniakken \u00a0 met het duurzame karakter van atleten. \u00a0 \u00a0 \u00a0 Ze vullen de contouren van een buitenwijk. \u00a0 Ze dansen in het hart van de vijand \u00a0 als in hun eigen hart. \u00a0 \u00a0 \u00a0 Ze demonteren de kreupele uren... 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