{"id":302721,"date":"1995-01-01T00:01:22","date_gmt":"1994-12-31T23:01:22","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/eva-gerlachcommotie\/"},"modified":"2021-06-04T18:12:18","modified_gmt":"2021-06-04T17:12:18","slug":"eva-gerlachcommotie","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/eva-gerlachcommotie\/","title":{"rendered":"Eva Gerlach\r\n\r\nCommotie"},"content":{"rendered":"
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[p. 493]<\/div>\r\n<\/a>\r\n

\r\nEva Gerlach<\/i>\r\n\r\n
\r\nCommotie*<\/span><\/a>\r\n<\/h3>\r\n\r\n
\r\nSjostakovitsj, trio no. 2, op 67<\/i>\r\n<\/blockquote>\r\n\r\n

1<\/h4>\r\n\r\n
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Binnen ons wachten de plaatsen af en we zien niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hoe maar we komen elkaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aldoor tegen, in \u00e9\u00e9n ruimte maar over<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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andere wegen. Het is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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leegte, de gewoonte om te vergeten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die ons opendoet – hoe je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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klappert, danst als een vaantje, wat is gevolg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wat herinnering, alles gebeurt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de tijd waarbinnen je doorloopt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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lichaam voor lichaampje, hee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ken ik je ergens van (heb ik wat van je aan)?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 494]<\/div>\r\n

2<\/h4>\r\n\r\n
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In de nacht belde iemand op, hij heette Johan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en hij zei dat hij Frits wilde spreken. Frits, maar hier woont geen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Frits, nooit gewoond ook. Ja nee,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik moet Frits spreken, die woont daar of anders<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\nNooit meer zie ik er een zoals jij ook al zijn er genoeg<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\ndie een beetje scheef lopen zo met hun jas naar een kant<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\nwijder open hun korte been niet zo ver<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\nnaar voren als hun lange naar achter<\/i>, krepeer Frits<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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was nog het minste dat volgde, ik moest<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ophangen maar ik kon niet, werkelijkheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schoot uit de kamer zoals wanneer je een ei<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\r\nuit het kokende water neemt, huid in een keer verdampt<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ging ervandoor om de hoek met mijn sportschoenen aan man<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 495]<\/div>\r\n

3<\/h4>\r\n\r\n
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Vanwaar je op weg gaat hoor je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hoe in de verte het gras<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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teruggroeit over de wortels uitgestoken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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opgegeten – hoe in het slijten van zolen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de weg zich neerlegt en rust<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en de vermisten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sporen die wij meedragen, terugplanten waar zij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wij op weg gegaan met onze ingepakte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hoofden waarin niets goedblijft stuivend en stuivend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n\r\n
[p. 496]<\/div>\r\n

4<\/h4>\r\n\r\n
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Over de kuil die wij hebben gegraven springen wij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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heen en terug, wie valt die ligt waar hij moet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Licht als een adempje, licht als een damp in de ochtend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Speelman speel wat je kan, dat wij dansen en waar wij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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struikelen liggen wij goed – wit kruipt in de avond,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kwispelt, hoor het gebeurde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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doorgaan terwijl je valt: fluittoon –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Kom dan kom bij het baasje of nee wacht nog even<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

Eva Gerlach<\/a><\/p>\n
\n<\/div>

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\r\n*<\/span><\/a>\r\n<\/dt>\r\n
\r\nmet dank aan F. Rzewsky, pianist<\/i>\r\n<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 493] Eva Gerlach Commotie* Sjostakovitsj, trio no. 2, op 67 1 \u00a0 Binnen ons wachten de plaatsen af en we zien niet \u00a0 hoe maar we komen elkaar \u00a0 aldoor tegen, in \u00e9\u00e9n ruimte maar over \u00a0 \u00a0 \u00a0 andere wegen. Het is \u00a0 leegte, de gewoonte om te vergeten \u00a0 die ons opendoet… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-302721","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nEva Gerlach Commotie · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/eva-gerlachcommotie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eva Gerlach Commotie · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 493] Eva Gerlach Commotie* Sjostakovitsj, trio no. 2, op 67 1 \u00a0 Binnen ons wachten de plaatsen af en we zien niet \u00a0 hoe maar we komen elkaar \u00a0 aldoor tegen, in \u00e9\u00e9n ruimte maar over \u00a0 \u00a0 \u00a0 andere wegen. 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