{"id":302809,"date":"1996-01-01T00:00:43","date_gmt":"1995-12-31T23:00:43","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/rob-h-bekker\/"},"modified":"2021-06-04T18:12:46","modified_gmt":"2021-06-04T17:12:46","slug":"rob-h-bekker","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/rob-h-bekker\/","title":{"rendered":"Rob H. Bekker"},"content":{"rendered":"
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[p. 270]<\/div>\r\n <\/interp><\/a>\r\n

\r\nRob H. Bekker<\/i>\r\n<\/h3>\r\n\r\n
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Studie voor zijn zelfportret, L<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn oog valt op 28 april<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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verdraait eindigt hij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in een hartstilstand; het laatste<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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schilderij zal net zo onaf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hangen als de maker<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die men niet vanuit drie hoeken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tegelijk kon zien en zien en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zien, sectie op dat menselijk lichaam<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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welke spaanse dokter ziet hem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op zijn laatste stoel of bed, brak hij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zelf zijn kooi van ons allen open<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om in de eeuwige tevoorschijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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te blijven, figuur in zijn slot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bewe<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ging<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en dat moet dan onschrijfbaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op de voorpagina<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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morgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 271]<\/div>\r\n
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Studie voor zijn zelfportret, M<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de leeuw die hem in stukken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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scheurde is de dokter die hem naait<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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lik de spiegel, eet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de lamp, spreek de schaduw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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donker valt in gordijnen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om de mond, natuurlijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn niet alle mensen blank<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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compost van afrikaanse land<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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schappen die stillevens imiteren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de tijdmens tussen de slachtkoffers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op reis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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onder het stof en de drukinkt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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brult gelukkig een jongen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de onverstaanbare koppen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vol waarheid, ziekenhuiskleding<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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gewassen in zoutzuur, tralies<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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richtingborden, omwegen, etceterara<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 272]<\/div>\r\n
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Studie voor zijn zelfpotret, R<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zoek het glas weer, die glazen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schaar, figuurdansen, zingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van zwijgende mannen die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zich wegspoelen door de afvoer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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taal die vanuit de maag de wereld<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ingeslingerd wordt, niet in dagbladen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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even het gerochel zichtbaar maakt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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innerlijk onweer, stortbak en kraan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aan het menselijk front niks nieuws<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de keel schrapen en er een glijbaan van maken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de keel branden aan het licht dat je slikt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de keel schrappen totdat het oog erin verdwijnt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n<\/div>
\n

Over het gehele werk<\/h3>\n

Tirade<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 270] Rob H. Bekker Studie voor zijn zelfportret, L \u00a0 zijn oog valt op 28 april \u00a0 \u00a0 \u00a0 verdraait eindigt hij \u00a0 in een hartstilstand; het laatste \u00a0 schilderij zal net zo onaf \u00a0 hangen als de maker \u00a0 die men niet vanuit drie hoeken \u00a0 tegelijk kon zien en zien en \u00a0… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-302809","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nRob H. Bekker · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/rob-h-bekker\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rob H. 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