{"id":302896,"date":"1996-01-01T00:01:12","date_gmt":"1995-12-31T23:01:12","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/h-h-ter-balktlaaglandse-hymnen-6\/"},"modified":"2021-06-04T18:13:06","modified_gmt":"2021-06-04T17:13:06","slug":"h-h-ter-balktlaaglandse-hymnen-6","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/h-h-ter-balktlaaglandse-hymnen-6\/","title":{"rendered":"H.H. ter Balkt\r\nLaaglandse hymnen"},"content":{"rendered":"
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[p. 529]<\/div>\r\n <\/interp><\/a>\r\n

\r\nH.H. ter Balkt<\/i>\r\n
\r\nLaaglandse hymnen<\/h3>\r\n\r\n
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Het landschap met de man die een stok op zijn schouders draagt*<\/span><\/a>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nHun hertogen zaten \/ alom in de landen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Heliand, Eerste zang<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n \r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Menselijke bewoning\u00a0\u00a0\u00a0lijkt hier ver, de schuin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de lucht neervallende\u00a0\u00a0\u00a0boom gebiedt misschien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de lente nooit meer te komen\u00a0\u00a0\u00a0of smeekt winter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en herfst\u00a0\u00a0\u00a0maar kort oponthoud af; lelietje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van ‘t dal sluimert\u00a0\u00a0\u00a0in de kloven, fata morgana<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verborgen;\u00a0\u00a0\u00a0bijna tuimelende rotspieken door<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een scheermes doorsneden\u00a0\u00a0\u00a0torsen de wind weet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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welke dromen\u00a0\u00a0\u00a0uit de grauwe windingen opgestegen;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hersenwindingen, windingen van\u00a0\u00a0\u00a0de eeuwen en de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wegen en wie weet\u00a0\u00a0\u00a0opgestegen uit het hoofd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van de stokkendrager door het groen\u00a0\u00a0\u00a0op reis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van het ene verscholen dorp\u00a0\u00a0\u00a0naar het andere;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hoog klimt een weg;\u00a0\u00a0\u00a0diepe wagensporen; mensen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als bomen of andersom;\u00a0\u00a0\u00a0hertogen duisternis en rook<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 530]<\/div>\r\n
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Inzicht in Delft, met de kraam van de muziekinstrumentenverkoper (Carel Fabritius)<\/div>\r\n\r\n
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\r\nDelft<\/span> was inniger dan Amsterdam<\/span>, ik verliet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Rembrandt de geldwolf, zijn beslijkt palet en al<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat bruin, als turfbergen dampend ten hemel.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hier slaan de huizen het licht niet tot munt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hier zijn de grachten lieflijker, \u00e9en leid ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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er rondom de Nieuwe Kerk, devotie van de huizen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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straalt in de zilveren halo van de historie. ‘t Is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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of de boom opspringt bij de deemoedige keien.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De muziekinstrumentenverkoper onder zijn hoed,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ben ik niet. Uithangbord van welke handel. En<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zwarte houten trali\u00ebn, tussen welke werelden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het jaar is 1652, iets viel al stil in die tijd;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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geen koper nadert over de keien de luit, muziek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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diep in slaap in de snaar gekeerd naar de muur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
\r\nCarel Fabritius<\/i> (Midden-Beemster<\/span> 1622-Delft 1654)<\/blockquote>\r\n
[p. 531]<\/div>\r\n
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Inzicht in Delft, met de kraam van de muziekinstrumentenverkoper (Carel Fabritius) 2<\/div>\r\n\r\n
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Misschien tonen Antoni van Leeuwenhoeks lenzen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wat er op het uithangbord staat (De Vliegende Vos<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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of krioelende soldeniers, geharnaste bacteri\u00ebn.)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De verlaten keien – zonder schaduw – op het plein<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wazig van hitte als de kerk liggen in een sikkel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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om dat oude hart. De grafstenen zijn muisgrijs<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als het plein, als Blaeu’s wereldkaart: de muur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Een houten maan leunt fonkelend aan het heelal.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Jullie, luit, vedel en violoncel zien uit. Vermeer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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schildert mijn licht na, vermeerdert zijn roem,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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maar wie kan het zwijgen begrijpen dat ik hier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verf, en waarom, het geruis voor de storm, of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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luiden de klokken een andere tijd. Werpt de wand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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roerloos aanzegging van oorlog over de gracht?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 532]<\/div>\r\n
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Het puttertje (Carel Fabritius)<\/div>\r\n\r\n
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Ze zeggen dat ik het puttertje ben, en dat zal wel.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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In het westen erg zeldzaam sta ik hier zonder hemel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op mijn verblijf, mijn lievelingsbloem de distel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ver. Geen blauw hemelhuis maar een besmeurde muur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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En wat moet die ketting! Alsof wij vogels galeien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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moeten roeien op die boom- en distelloze zee, nog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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verder west dan west, daar waar de wereld eindigt!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het goud in mijn vleugel verdonkerde als die muur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Mijn kop die rood, wit en zwart is werd gedempter,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ja gedempter dan een wandelweg in schaduwen, dan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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doffe zonneschijn in de bodem van een duivennest.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Mijn oog huilt om Carel de schilder, in een kerker<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schuilt denk ik zijn geest, en duister mijn geel!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Mijn ketting is de jouwe: o haast ademloze, ontwaak.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 533]<\/div>\r\n
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IJskelder en aardappelkelder<\/div>\r\n\r\n
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Ginds is de ijskelder, het jaar is lang geleden,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar het ijs is verdampt. Graaf daar naar kisten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00e9en lang vergaan, de andere met flarden liedjes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van Augustijn. De koekoek roept er. Langs de beek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en voorbij de ruiten van De Lont kringelt de weg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als rook langs de hazelaar. ‘t Is nabij een stad<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vol winnaars, handelslui en uitzinnige dansers.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Op een steenworp, de geblindeerde aardappelkelder.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Laag hangt het hazelloof en taxus wiegt zijn bogen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zelfs de adder zingt oden maar onhoorbaar de hymne<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(opkoper van zangzaad voerde hem droge diepte in)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de juten lap aan wat hij versluiert onder stof<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en lagen zand, uileveer, een landkaart, zilversnoer,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aan de kleuren van De Zwelgers,<\/i> gesigneerd\r\n\"illustratie\"\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 534]<\/div>\r\n
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Jan Swammerdam<\/div>\r\n\r\n
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\r\nEin schade ist guot, der zw\u00eane frumen gewinnet<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n \r\n
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Walther von der Vogelweide<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n \r\n
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\u2018De Bijbel der Natuure, mijn \u201cGrote Werk\u201d, gaf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Boerhaave (’37) vinkentrekken later uit in Leiden<\/span>\u2019.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Glasblazer was hij ook, maar in december kon je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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door zijn kleine microscopen (anders dan in juli<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bij gutsend zweet) geen trilhaar of muggenoog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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meer zien. Op de tafel door Musschenbroek gesmeed<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uit koper, werden bijenangels lansen, wapenvlieg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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staartster; koningen heremietkrab en alikruik.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u2018Malaria door de kreken rond Amsterdam<\/span>, de knik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in mijn geest door Nordstrand, rottig koud eiland<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van Antoinette Bourignon, 1675 en 1676; tirannie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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brengt altijd verbod. Derdedaagsekoortsen verlaten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mij nooit meer; Nordstrand zag mij niet weerom.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De vinger Gods in een luis! en ik hield mijn hart\u2019.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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1637-1680<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\nNordstrand<\/i>, Sleeswijks waddeneiland: hier verbleef Jan Swammerdam negen maanden in de door Antoinette Bourignon (1616-1680) gestichte religieuze gemeenschap die slechts twee jaar bestond, 1675-1676. \u2018Ik presenteer UEd alhier den Almaghtigen Vinger Gods in de Anatomie van een Luys\u2019, aanhef van een brief van Jan Swammerdam aan Th\u00e9venot, uit 1678; ’37 = 1737<\/p>\r\n<\/div>

\n

Over het gehele werk<\/h3>\n

Tirade<\/a><\/p>\n

Over dit hoofdstuk\/artikel<\/h3>\n

H.H. ter Balkt<\/a><\/p>\n
\n<\/div>

\r\n
\r\n
\n
\r\n*<\/span><\/a>\r\n<\/dt>\r\n
\r\nHercules Segers<\/i> (ca. 1589-1637\/1638)
\r\nRijksprentenkabinet Rijksmuseum Amsterdam<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 529] H.H. ter Balkt Laaglandse hymnen Het landschap met de man die een stok op zijn schouders draagt* \u00a0 Hun hertogen zaten \/ alom in de landen \u00a0 Heliand, Eerste zang \u00a0 \u00a0 \u00a0 Menselijke bewoning\u00a0\u00a0\u00a0lijkt hier ver, de schuin \u00a0 in de lucht neervallende\u00a0\u00a0\u00a0boom gebiedt misschien \u00a0 de lente nooit meer te komen\u00a0\u00a0\u00a0of… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-302896","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nH.H. ter Balkt Laaglandse hymnen · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/h-h-ter-balktlaaglandse-hymnen-6\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"H.H. ter Balkt Laaglandse hymnen · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 529] H.H. ter Balkt Laaglandse hymnen Het landschap met de man die een stok op zijn schouders draagt* \u00a0 Hun hertogen zaten \/ alom in de landen \u00a0 Heliand, Eerste zang \u00a0 \u00a0 \u00a0 Menselijke bewoning\u00a0\u00a0\u00a0lijkt hier ver, de schuin \u00a0 in de lucht neervallende\u00a0\u00a0\u00a0boom gebiedt misschien \u00a0 de lente nooit meer te komen\u00a0\u00a0\u00a0of... 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