{"id":303159,"date":"1998-01-01T00:00:30","date_gmt":"1997-12-31T23:00:30","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/george-moormannoost-west-thuis-weg\/"},"modified":"2021-06-04T18:26:28","modified_gmt":"2021-06-04T17:26:28","slug":"george-moormannoost-west-thuis-weg","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/george-moormannoost-west-thuis-weg\/","title":{"rendered":"George Moormann\r\nOost West Thuis Weg"},"content":{"rendered":"
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[p. 249]<\/div>\r\n <\/interp><\/a>\r\n

\r\nGeorge Moormann<\/i>\r\n
\r\nOost West Thuis Weg*<\/span><\/a>\r\n<\/h3>\r\n\r\n
\r\nAlles heeft zijn uur en ieder ding onder de hemel zijn tijd; er is een tijd om te baren en een tijd om te sterven… … een tijd om te zwijgen en een tijd om te spreken<\/i>.
Prediker 3: 1-2 en 7<\/span>\r\n<\/blockquote>\r\n\r\n
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De grondvorm<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Misschien, het door water geslepen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geluid van een rots, of wanneer hij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de ogen sluit, moeders stem in zee?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zo kan het niet anders dat er ergens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een speciaal geschreven lied moet zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een cirkelbeweging alla breve<\/i>.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een stem die zich schalenderwijs verstopt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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achter de minstens duizend transparante<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onderdelen van een Disney-reuzekwal.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het vuile ondergoed van een duister fabelwezen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat hem de treden zal wijzen, de voetstappen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waar het bijna was misgegaan.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Kijk, Belladonna heeft nog steeds dezelfde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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baljurk aan, danst zoals hij typt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gaat net als hij voorbij het ochtendgloren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op hoge stiletten van kristal,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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totdat een stem in zee onverbiddelijk roept:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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eten, binnenkomen!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 250]<\/div>\r\n
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Vreemde hofmakerijen<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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*<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Regen staat in schoenen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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doodskloppertjes zitten aan. Onder felle lampen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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leest moeder een oud weerbericht.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nQuel Temps! Il fait froid et sombre,<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar ze zegt dat met haar meest vrolijke gezicht,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zodat je je afvraagt of ze het wel inziet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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*<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Belladonna draagt een vrolijke zomerjurk,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ze zegt dat ze vlinders in haar buik heeft,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar mij houdt ze niet voor de gek,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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moederkes vogels en wolken zijn oud.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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*<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Regen in de ton, apen die noten eten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Mies strijkt langs de rand van de kom,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ze spreekt met dode zusjes,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dit in het meest onberispelijke Frans.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 251]<\/div>\r\n
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Moederliefde<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Aan het oog onttrokken, maar zie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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je wel, ze zijn er. Ik zal ze verschonen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar eerst Bella bellen dat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik wat later kom.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Kroost wordt werkelijkheid, als<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ze vriendelijk vraagt, neem ze maar mee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik heb genoeg gekookt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 252]<\/div>\r\n
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Evolutie<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Natuurlijk, in wonder welbehagen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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is een moeder een moeder omdat zij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geen moeder is.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Blijvend eren wij dan ook de wetenschap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in haar een waterjuffer, een krekel of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zelfs blauwwier te zien.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dat liefde ver gaat is zwak uitgedrukt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tot in het hart van haar boezem hokt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ze samen met een Duitse kakkerlak, erger,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met het papierverslindende zilvervisje.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 253]<\/div>\r\n
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Drie keer daarom<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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In wie of wat zie jij toch voedsel?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoe vaak heb je nu al je koffers ingepakt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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heb ik gezegd dat dit huis geen hotel is?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vaak is vaag, onleesbaar geworden,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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je hart een huis, je man de schaduw van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een stikmachine.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De sporen op een rij vraag ik me af wie hij is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de zoon die je voor zijn vader houdt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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al moet ik beslist zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Daarom ben ik jouw nachtzuster, ik de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zoon die ook vader is. En \u00f3f er een morgen is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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want zoals ik zei, ik ben de vader, de zoon en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de nachtzuster. Zeg daarom, wat hebben we n\u00fa?!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zo laat al, vlug naar bed!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 254]<\/div>\r\n
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De zin van het leven<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wat zegt ze toch? wat is het toch<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een gek mens.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Al wandelt ze over het meest<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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rustige water, struikelt ze nog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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over de meest eenvoudige zaken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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slaat ze zich op het hoofd als ze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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iets raars zegt dat nergens opslaat,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een tweeledige beweging waarvan ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zeker ben dat het zin moet<\/i> hebben.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 255]<\/div>\r\n
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Haar als pijpenstelen<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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We zoeken alles in onszelf,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vanmiddag Basho herlezen, moeder kreeg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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spontaan een waterig gezicht, snotterde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wat Is Was Er Reeds Lang, En Wat Zijn Zal,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Is Reeds Lang Geweest.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Drizzly June – Long hair,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Face sickley white.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Jezus, wat miezert het.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 256]<\/div>\r\n
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Liedjes van vroeger<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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*<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Veel van hetzelfde, toch<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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blijft zij haar lasso verbazen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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doorboort haar druppel de steen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet door kracht maar door<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
vaak te vallen. Vergeetachtige mensen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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struikelen hoogstzelden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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*<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het door water geslepen geluid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van een rots, de sluiers van een moederkwal,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geruis van gaas dat vanaf land waargenomen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar moeilijk van een burcht te onderscheiden is.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 257]<\/div>\r\n
\r\n\r\n
Een heel andere schepping<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een heel andere schepping als zij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Adam was geweest, als zij de dieren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en vogels namen had mogen geven,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zouden wij niet denken dat de kip<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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slechts een voertuig is om een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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nieuw ei voort te brengen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zouden wij ons hanige ik eigenhandig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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de nek omdraaien, in iedere geurige omelet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een god zien, in iedere vrouw een moeder.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 258]<\/div>\r\n
\r\n\r\n
De zwaluwstaart<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Tot het laatst een moeder zoals<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ze met liefde het doosje lucifers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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wiegt. Wil het niet uit handen geven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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omdat ik met mijn ogen dwingend zeg:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voorzichtig dat is vuur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Staat op, smijt weg. NEE<\/i>!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Waarmee ze eigenlijk zeggen wil, wat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maak jij eigenlijk als je voor<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de zoveelste keer die zwaluwen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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op dat doosje vereeuwigt<\/i>.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Geef je ze wel de vrije ruimte?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Mogen ze wel door het vuur worden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aangeraakt, opgaan in het geheel?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Moederke vereeuwigt<\/i> niet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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moederke danst.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 259]<\/div>\r\n
\r\n\r\n
Halfslaap<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ook zijn er jongetjes. Ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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herken m’n broertje, dat wakker<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wordt, het gordijn openschuift,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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naar de nacht kijkt, gaapt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dezelfde nacht die ons monddood<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zal maken, de nacht die ons zonder rede<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voedt, de nacht die woordblind is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de nacht die allesbehalve nestholte is.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wij luisteren naar de zwaluwen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en proberen ons een voorstelling<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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te maken, hoe dat mogelijk is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\neen nacht zonder bijslaap,<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\nde nacht als beeld zonder woorden<\/i>.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 260]<\/div>\r\n
\r\n\r\n
De metalen vogel<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Je kunt er verder niets van zeggen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de dreiging of het welkom van een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mysterieuze poort, het bewegingloze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tableau vivant dat wij hemel noemen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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het gezond verstand dat plaats maakt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor wat slagen in de lucht,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
een straaljager die als een vleeskleurig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
vlindermes overtrekt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 261]<\/div>\r\n
\r\n\r\n
Met nimmer falende zekerheid<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
Tussen de naturalia en artificialia,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de opgezette beesten en landschappen op<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
sterk water, de zondagmiddagmuziek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
van Jeremia, de volumeknop op z’n hoogst.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Voorbij is de oogst, ten einde de zomer,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
en nog zijn wij niet verlost.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Ach, moederke, de aarde te hard,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de hemel te hoog en misschien vandaag al<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
vallen om niet weder op te staan?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Ach, moederke blijf nog even, onze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
nachtkijkers zijn niet verfijnd genoeg,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
ook al nemen we de tijd van komst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
stipt in acht, ook al kom je ieder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
voorjaar terug op het nest.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 262]<\/div>\r\n
\r\n\r\n
Een vreemde balts<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Buiten klinkt het heel plezierig,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de grammofoon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
die blijft steken in dezelfde groef.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Ik ben de Bella uit een modeblad,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
uit stukjes film, Roman Holiday 1953,<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
uit hoeden, handschoenen, schoenen en tas.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Ook zijn er de dingen die geen dingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zijn, een brokstuk van roodoker, een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
groene lavasteen, haar l’oiseaux volent!<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Iedere doos bevat weer een andere doos, dan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
moet je nog de touwtjes openmaken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
lapjes uit elkaar vouwen en dan vind je,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
nee toch, gespeelde verbazing,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de BOEM van het NIETS, of zou ze toch?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Ze kijkt verliefd.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 263]<\/div>\r\n
\r\n\r\n
Maar soms botst het<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Het weerzien thuis is zelden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
teleurstellend, tenminste zolang<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
het op een ordelijke manier gebeurt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de waarneming van lijf en leden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Laatst veel naleving –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
met de priemende vinger van Toorops<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Prediker ordonneerde ze mij de koffers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zo snel mogelijk in te pakken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Zo’n prachtig hotel, wat denk je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
wat zo’n schelp kost?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De spiraalvormige achteruitgang.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 264]<\/div>\r\n
\r\n\r\n
Honkvast<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Zelfs in huis is ze weg,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
ik zie dat aan de wijze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
waarop haar glimlach functioneert,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
misschien wel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
haar lievelingsplek,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
al weet je dat nooit zeker,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
omdat je daar, eenmaal aangekomen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de dingen niet groter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
of kleiner maakt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 265]<\/div>\r\n
\r\n\r\n
Het daghet<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Of ze nu wel of niet een sneeuwwitje is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de dwergen die haar helpen zijn haar toegewijd,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
want zot blijft het dat juist zij nooit eens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de indruk wekt de weg kwijt te zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Vrolijke kabouterhandjes, het geruis van palmen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
waarin zich de enig juiste richting bevindt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 266]<\/div>\r\n
\r\n\r\n
Vreemd toerisme<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\r\n
\r\nDe dood heeft honderd handen en bewandelt duizend wegen<\/i>.
\r\nT.S. Eliot<\/blockquote>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Er moeten handen zijn die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
altijd naar het oosten wijzen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
handen die druk zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
met de afdruk van een koffer,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
een berglandschap, een gastenboek,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
handen die je welkom heten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 267]<\/div>\r\n
\r\n\r\n
Lijmstokken<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Wilgebladeren kunnen niet zonder lijm,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
het basiselement voor voedsel, een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
onmisbare stof voor stevigheid.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
In water met wat inkt of verfstof,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
stijgt maar moeizaam een droom op die,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
treurig geworden, steeds hetzelfde herhaalt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Voetstappen dalen af, ze verlaten de wilg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
via kleine slijmerige huidmondjes,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
houden het beurtelings droog als ze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de trap afgaan, troosten elkaar tot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de onvermijdelijke plek, het moment waar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
geest des levens haar wortels in twee\u00ebn splitst.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 268]<\/div>\r\n
\r\n\r\n
De nachtzwaluw<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
*<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Dat onze bewegingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
onhandig zijn, dat we vaak te dikke poten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
hebben maar desondanks toch<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
makkelijk vliegen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Tsjiep, tsji-tsjiep,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
tsji-tjitjitji – tjiep – boink.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
*<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Het doosje met de verbrande lucifers,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zomaar leeg, zomaar?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Zomaar Svalan, zomaar die Schwalbe,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zomaar een vlinder, de poppen die ik als<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
kind nog in dit doosje droeg,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zomaar?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Zomaar the Swallow in den vreemde,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zomaar S\u00e4kerhets t\u00e4ndstickor?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Zomaar spelen, ook al is er geen vuur,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zomaar?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 269]<\/div>\r\n
\r\n\r\n
De slaapkamer<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Moeder waarschuwt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
voor het raam dat openstaat.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Moeder waarschuwt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
voor de wind die als tocht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
door de kieren blaast.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Nu is zij zelf het zaad van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
het adelaarsvaren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de stof uit de Sahara,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
een wimper zout<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
uit zee.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 270]<\/div>\r\n
\r\n\r\n
De anamorfose<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Je zou je begrafenispak willen uittrekken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
roepen mamma!, maar je bent niet jezelf,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
als ze je haar kamt, zegt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
jongen, keurig, je lijkt je vader wel.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 271]<\/div>\r\n
\r\n\r\n
De sublieme dood<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Er zijn weinig geniale<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
romanschrijvers, nog minder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
grote dichters,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
omdat ze de woorden niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
op hun beloop laten, de cipiers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
beroven van hun slaap,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zodat deze snelle oogbewegingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
niet verder dromen, schiftend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
ten onder gaan in beelden,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
mechanismen die niet op zoek zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
maar wel snoeven het met eigen ogen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
te hebben aanschouwd:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de homerun van Teiresias, erger<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
het bezint eer ge bemint van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zijn bloeddorstig vlindermes.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 272]<\/div>\r\n
\r\n\r\n
Op herhaling<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
In de afdruk van haar ogennacht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
herken ik de decoratieve inslag van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
haar Prediker, de sierlijke gebogen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
lijnen van de Jugendstil,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
waarmee zij, al blazend op haar schelp,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Neptunus voorgaat,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
afwisselend nat, droog de golven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
opzweept – neerlegt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Veel metrum, nauwelijks ritme,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
het zal de zin van diepgang zijn die haar verveelt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 273]<\/div>\r\n
\r\n\r\n
De een z’n dood is<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Je moet ermee oppassen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
mannen in witte jassen, die of zich<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
verschrijven, of verdichten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
verdwijnen, afschrijven of anderszins<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
profiteren van zulke aflaten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
papier dat bedoeld is beschermder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
te leven dan hun tragische pati\u00ebnt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 274]<\/div>\r\n
\r\n\r\n
De waarde van fictie<\/div>\r\n\r\n
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We schuiven herschikken, schrikken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als we per ongeluk hertschikken<\/i> tikken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vluchten weg, proberen de boel zo min<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mogelijk te verfraaien. Biechten zo eerlijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mogelijk op dat het maar straatvuil is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het glazen paleis waar moeder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aan haar spinnewiel zit,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de rozentuin aan zee waar ze tussen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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haar lieve reuzen en dwergen woont,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar ook, maar hier zou ik zwijgen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mijn vader ligt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 275]<\/div>\r\n
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Het laatste eerbewijs<\/div>\r\n\r\n
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Het licht van de zeldzame witte fazant<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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komt zelden gelegen, blijft al te vaak<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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onbesproken. Moeder zegt: liefde,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ademt ieder moment als een geschenk,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zet onbekommerd de muts van het henne\u00ebi<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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naast die van de kip. Een pluim die pas stil<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wordt als de schoenmaker binnen komt, de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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schaduw van zijn stikmachine.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ik wend m’n hoofd af voor zoveel eerbewijs,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ze trekt de schoenen van mijn vader aan,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zijn eigenhandige.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 276]<\/div>\r\n
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God<\/div>\r\n\r\n
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Voor dag en dauw, de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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man met de grote thermoskan.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Voor de gepenseelde nacht,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een pen zonder tussenkomst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van woorden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n<\/div>
\n

Over het gehele werk<\/h3>\n

Tirade<\/a><\/p>\n

Over dit hoofdstuk\/artikel<\/h3>\n

George Moormann<\/a><\/p>\n
\n<\/div>

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\r\n*<\/span><\/a>\r\n<\/dt>\r\n
De wereld van Bella, zoals deze is uitgedrukt in de 25 tekeningen van Toine Moerbeek, verleidde George Moormann tot het schrijven van een beeldverhaal in verzen. Waar beeld taal wordt en de tekening een gedicht, verschijnt Bella opnieuw. Dit een-tweetje vaart uiteraard onder eigen vlag: Oost West Thuis Weg.<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 249] George Moormann Oost West Thuis Weg* Alles heeft zijn uur en ieder ding onder de hemel zijn tijd; er is een tijd om te baren en een tijd om te sterven… … een tijd om te zwijgen en een tijd om te spreken.Prediker 3: 1-2 en 7 De grondvorm \u00a0 Misschien, het door… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-303159","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nGeorge Moormann Oost West Thuis Weg · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/george-moormannoost-west-thuis-weg\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"George Moormann Oost West Thuis Weg · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 249] George Moormann Oost West Thuis Weg* Alles heeft zijn uur en ieder ding onder de hemel zijn tijd; er is een tijd om te baren en een tijd om te sterven… … een tijd om te zwijgen en een tijd om te spreken.Prediker 3: 1-2 en 7 De grondvorm \u00a0 Misschien, het door... 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