{"id":303176,"date":"1998-01-01T00:00:45","date_gmt":"1997-12-31T23:00:45","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/sandile-dikenigedichten\/"},"modified":"2021-06-04T18:26:34","modified_gmt":"2021-06-04T17:26:34","slug":"sandile-dikenigedichten","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/sandile-dikenigedichten\/","title":{"rendered":"Sandile Dikeni\r\nGedichten"},"content":{"rendered":"
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[p. 398]<\/div>\r\n<\/a>\r\n

\r\nSandile Dikeni<\/i>\r\n
\r\nGedichten<\/h3>\r\n\r\n
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Lied van het spoor<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nvoor mijn broer Dicey,<\/i>\r\n
die stierf aan tbc bij de spoorlijn<\/i>\r\n<\/blockquote>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het begint met een lach<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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hard en ademloos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als staal:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Xhegwazana pheki’papa<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Xhegwazana pheki’papa<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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sayithath’apha<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sayibek’apha<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sayithath’apha<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sayibek’apha*<\/span><\/a>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Mijn mama maakt pap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mijn oma maakt pap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mijn mama maakt pap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mijn oma maakt pap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Neem het hier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zet het daar neer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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neem het hier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zet het daar neer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Daar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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komt de nacht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zwetend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uitwasemend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 399]<\/div>
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sleept de ingewanden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in een bloedrode haal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die het zweet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de jeugd afvoert<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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weg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de wreedheid van de wereld in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die je koud achterlaat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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koud wanneer de zon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zijn gulle deken van licht ontvouwt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die nooit de binnenkant raakt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en been en merg verschrompelen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ijs<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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steen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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binnen, buiten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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binnen de sporen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar we roepen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Sojikel’emaweni<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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emaweni,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Sojikel’emaweni<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sojikel’aphi na he?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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he wena<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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sojikelaphi na he<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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he wena<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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We buigen de kliffen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de kliffen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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we buigen de kliffen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de kliffen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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we buigen ze voor jou<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en jou<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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h\u00e9 jij!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Onze adem is heet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als het sissen van Makadas de stoomtrein<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die tegen de wintermuur van een Karroo-droogte puft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en zwenkt en doolt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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door onze levens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 400]<\/div>
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donker en zwart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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als het roet van de kolenmijnen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van Newcastle<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar nog meer zwart bloed hoest<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van diep onder de grond<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Sishov’ingolovane<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ngolovane<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Sishov’ingolovane<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ngolovane<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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We duwen de kleine kolentreinen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tegen de witte winteradem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die kraakt onder onze laarzen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tot ijskristallen smelt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en nog zullen we<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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warme verlangens zingen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Sdudla sibomvu<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mathangan’abomvu<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Sdudla sibomvu<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mathangana’abomvu<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zingen, zingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tot de dood komt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zingt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in onze adem.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 401]<\/div>\r\n
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De weg terug naar huis<\/div>\r\n\r\n
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Als op een dag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een Vrijheid vastgelegd en definitief zou zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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beschimp me dan niet als ik spuug naar de vruchten der vrijheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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want misschien heeft in mijn bongo<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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‘t geluid van een weeklacht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en mijn stem, de woede der afstand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en mijn bewegingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de vervreemding van onvrede<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wees niet boos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Wees niet boos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wanneer ik me die samba uit Brazili\u00eb niet herinner<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of als de Mo\u00e7ambiquaanse feestnachten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de nachtmerries in mijn rood helpen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wees niet boos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Sommigen zeggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat ooit in een april<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een vrijheid dreigde en kwam<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Maar Hitler werd in april geboren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en Lenin viert het leven in april<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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net als ik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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maar waar liggen de grenzen?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vroeg Rosa Luxemburg eens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en ik vraag me af<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de vragen van een Namibische dichter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoe ver ligt Washington van Pretoria?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En hoe dicht Bonn bij Tokyo<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 402]<\/div>
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Daarom<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hoeveel kilometer ligt er tussen honger en rijkdom<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hoe groot is de afstand tussen de voldoening<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van een natie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en de onvrede van een continent<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hoezeer is Afrika eigenlijk een zwarte komedie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voor de Vereninging der naties?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoe bevredigend zijn aardappels als hulpmaatregel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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uitgedeeld door handen onder het geweervet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Itali\u00eb houdt van Somali\u00eb<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zoveel weten we<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van Benito Mussolini<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En Michael Jackson houdt van Za\u00efrese kinderen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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over de diaspora heen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoeveel liefde hebben we nodig om serieus te worden?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Misschien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als we een tango doen in Lederhosen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zeven keer per dag karate<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zullen de G-Zeven ons G-strings geven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om Hollywood in te komen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De opwindendste act<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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sinds de zionisten de Palestijnen op het altaar legden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en als we pasta eten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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komen we er achter dat de afstand tussen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Itali\u00eb en China even<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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kwetsbaar is als de liefde tussen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Groot-Brittanni\u00eb en Noord-Ierland<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De hoogdravende idee\u00ebn, van de Eiffeltoren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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even gek zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als de tijdbom-mentaliteit in Big Ben,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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even gek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als de liefde tussen Napoleon en Nelson<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoe ver lachen is Mandela van X?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zullen we, voordat Y en Z ons opsluiten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet liever<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de geest van Gaza vragen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 403]<\/div>
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\u00a0<\/div>\r\n
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om ons bloed te zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en het bloed van de Sioux en de Maya<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om onze geest te zijn?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zodat we het in de trommels van uhuru*<\/span><\/a> roffelen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als het klopt in de wonden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van een continent<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Che is misschien dood<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar stond zijn stoel alleen in Cuba?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dus waarom verbaas je je dan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat mijn vrijheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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alleen een internationale voor me zingt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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want misschien,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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heel misschien,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ben ik zo,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zo,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zover van huis.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 404]<\/div>\r\n
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Telegram naar de hemel<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Blijf bij me<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als de zon opkomt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aan een westelijke hemel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met zilveren speren die slaan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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naar de aarde en onze jeugd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als de oostelijke horizon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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rook ophangt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om een kwijnende droom te vieren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zul je dan mijn beblaarde hand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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oppakken en kussen?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Die reis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tussen reflexhandeling<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en overtuiging<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waar momenten opflitsen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van substantie tot emotie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en waar we instinctief seconden tellen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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we in tijden leven dat we tegen de tijd zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en impulsen ons beheersen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als ongerichte, ongekozen factor<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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we het clich\u00e9 leven als feit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en het feit clich\u00e9 is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op die ene maat van verandering.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Blijf je bij me<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als ik geen halleluja’s meer heb<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor je naam<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en in plaats daarvan dahlia’s geef<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aan jouw anonimiteit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 405]<\/div>
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\u00a0<\/div>\r\n
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als mijn knie\u00ebn weigeren te buigen voor je schoonheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar mijn groei-oog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een altaar opricht voor je ziel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die macht die wakend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het Braziliaanse woud droomt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of in haar wenskracht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onze doden weer opwekt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in Kassinga, Biafra<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of waar je hart ook maar woont<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tussen de onschuldige doden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Blijf je echt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bij me<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als ik opsta<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en de wereld toezing<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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haar grootte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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haar grootsheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om het vermogen zichzelf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ondersteboven te keren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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terwijl de bewoners nog geloven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in haar bestendigheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet wetend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat hun hoofden omlaag zijn gericht.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tegenwoordig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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knopen ze je niet op aan je strot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tot je sterft.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze hangen je aan je voeten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tot het bloed naar je hersenen stroomt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het is een bedwelming die je naar de hemel doet reiken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar de aarde raakt als uiterste<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als extase<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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omdat je een doel bereikt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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want sommige reizen zijn zo lang<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en veel langer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wanneer je in een droomwoud woont<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat po\u00ebzie heet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 406]<\/div>
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\u00a0<\/div>\r\n
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Ze zeggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat we niet leven bij brood alleen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik weet het.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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we overleefden alleen door po\u00ebzie,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met po\u00ebzie die op onze tongen danste<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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veegden we het bloed van onze monden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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betoverden we onze folteraars<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hingen we vrijheidsklokken aan onze ketenen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maakten we muziek uit sirenes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maakten we huizen van gevangenissen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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renoveerden we parlementen met golfplaten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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smeten we molotovcocktails op ons kwade verleden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bliezen we onze martelaren op in onze breinen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en maakten we heiligdommen van hun graven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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weefden we vergeving in onze T-shirts<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en probeerden we met de allerlaatste druppeltjes bloed<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vrede op kwade donkere hemels te verven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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brachten we onze eenzaamheid tot zwijgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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paarden we onze nederigheid aan onze woede<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dreven we met hamers en beitels<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de hoop diep in onze harten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zwommen we, dansten we en speelden we waterspelletjes in onze tranen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en nu,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
nu zwaaien we met vlaggen die zo kleurig zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
kleuriger soms dan onze toekomst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
maar blijf bij me.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Blijf bij me<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
als de jungle geen boom heeft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
als de wind geen adem heeft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
als de regen geen zee heeft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de woestijn geen zand heeft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de sterren geen ogen hebben om te zien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
God geen genade heeft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
en de duivel van het land een barbecue maakt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
blijf je nu bij me?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 407]<\/div>
\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Blijf, laten we zingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zangen van ervaring<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
zingen we, idee\u00ebn uit het bewustzijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
en laten we het lot vormen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
uit de dorheid van deze,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
deze geschiedenis.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Blijf bij me.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Blijf je?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Alsjeblieft?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

\r\nUit het Engels vertaald door Jabik Veenbaas<\/i>\r\n<\/p>\r\n<\/div>

\n

Over het gehele werk<\/h3>\n

Tirade<\/a><\/p>\n

Over dit hoofdstuk\/artikel<\/h3>\n

Sandile Dikeni<\/a><\/p>\n

Jabik Veenbaas<\/a><\/p>\n
\n<\/div>

\r\n
\r\n
\n
\r\n*<\/span><\/a>\r\n<\/dt>\r\n
De inhoud van de Xhosa-regels in dit gedicht wordt steeds herhaald in het Engels. (vert.)<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div>
\r\n
\r\n
\n
\r\n*<\/span><\/a>\r\n<\/dt>\r\n
Uhuru: vrijheid.<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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