{"id":303272,"date":"1999-01-01T00:00:27","date_gmt":"1998-12-31T23:00:27","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/hans-r-vlekgedichten-2\/"},"modified":"2021-06-04T18:27:00","modified_gmt":"2021-06-04T17:27:00","slug":"hans-r-vlekgedichten-2","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/hans-r-vlekgedichten-2\/","title":{"rendered":"Hans R. Vlek\r\nGedichten"},"content":{"rendered":"
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[p. 196]<\/div>\r\n <\/interp><\/a>\r\n

\r\nHans R. Vlek<\/i>\r\n
\r\nGedichten<\/h3>\r\n\r\n
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Shorty<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nvoor G.S.<\/i>\r\n<\/blockquote>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Huelsenbeck, geplaagd psychiater te New York,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Van voornaam wel Rich\u00e1rd geheten, rijmde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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O\u00f3k, ten tijde van Tristan Tzara.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dus geen limericks uit Cork<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Of rotzooi waar hij Arp mee slijmde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Maar ultraboeiend lachend De\u00e9dadah –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 197]<\/div>\r\n
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Wat is doubledutch?<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Denken dat Marie Mary heet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Oftewel doubledutch tout court.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Voor d’een francose poppescheet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Voor d’ander ham voor zwoerd –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Invierno, winter, hel – Ter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Racine’s Brittanicus<\/i>, en snel –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 198]<\/div>\r\n
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Groet<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nnaar Stephane Mallarm\u00e9<\/i>\r\n<\/blockquote>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Niets, dit meerschuimmaagdelijk gedicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Slechts om het glas ontworpen;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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In ‘n verte verdwijnen uit het zicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Groepen sirenen boven witte dorpen –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wij vo\u00e9ren, o mijn verscheidene gezellen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Met mij al hoog te paard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En U als strenge garde die bewaard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Voor schipbreuk en ‘s winters ijzige hellen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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‘n Mooie maenade verleidt me thans<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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– Zonder vrees voor ‘t wervelende geestgedans –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Deze groeten uit te dragen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Van Eenzaamheid, ontvang’klijk, ster<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Voor wie de waarden nu hier van her<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De heldere intentie onzer doeken onversagen –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
[p. 199]<\/div>\r\n

Omtrent de nineviter vischman<\/h4>\r\n\r\n
… Nisroch slaat Pazuzu<\/i>…
\r\ndubbelsonnet voor BvdP<\/blockquote>\r\n\r\n
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1<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Zie ‘t heelal in god’s glorie,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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begeer ‘n anders eigendommen niet.\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wel geen Indusman in elke porie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Blijft me dit toch bekn\u00f3ptst brahmanenlied –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Studeert men liever Spaans als Sanskriet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Krijgt men ‘n tic van dharma met Col\u00f3n,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Maar die Upanishad vergeet men niet;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Met bijbel als b(r)oek mist men plots japon –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En in Japan hoorde men die regels zeggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Door Sakyamuni die ze uit kwam leggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Aan notoire zonaanbidders en dieveggen –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Daarom vind ik ‘r vrijwel alles in,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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– Oh dat oud Upanishadbegin -, al-<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Les, behalve de Ioanniter vin:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 200]<\/div>\r\n
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2<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vanuit ‘t deluviale oerbegin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zwom Ioannis Vischman d’Eufraat op;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Natuurlijk met ‘n vin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En z’n van assurreli\u00ebfs bekende kop:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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‘t Is een zeer oude Tigrislegende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En volgens mij, wat vinoloog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Met diploma A nu zwemmend dr\u00f3og<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Harmonieus met wat men anoniem ooit pende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Als openingssloka*<\/span><\/a> der mooie Upanishad:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Zie de hemel als grote glorie gods<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en zet je hart niet op ‘t bezit Uws naasten -\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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L\u00e9\u00e9s die sloka (sloka’s lezen, ‘t is me wat)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En beaam, als brahmaan op Everester rots,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dat ook ter Indus profeten soms verbaasten –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 201]<\/div>\r\n
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Castillo de liria<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Bij Valentia, haven van oudromeinse waarde,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Staat ‘n omtranst kasteel onneembaar in ‘t groen –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Berankte wingerdsveld; ‘n oude libergaarde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Waar men ‘n druifdans \u00f3oit te blote voet zag doen –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vooruitgang best\u00e1at, men oogst nu keurig machinaal.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De slaven van weleer werden ‘r goedgeklede heren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En meesters van een ridderlijke Barbertaal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Die ‘r cleanshaven graag Quijote eren –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Veut-en monter sur les c\u00e9lestes tours<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Escobar sait un chemin de velours\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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‘k Mocht ‘t ch\u00e2teau nog niet bestijgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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– Valencia is me vaak wat appelig en druk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Maar van z’n druif ‘n lierzucht krijgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Tot wie schreef, en spijsvertering maakte tot geluk –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 202]<\/div>\r\n
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Anagrammion pro arte<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\n\u00e9n BvdP<\/i>\r\n<\/blockquote>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoe hoogsthipmodern men ook mag zijn en wezen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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‘t Schijnt soms goed om Yoga als Goya te lezen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Men toeft dan niet met swami’s maar gravinnen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En mag – van Yoga n\u00edet – ‘n Ebro naar binnen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Slaan voor ‘t maal met menig gratieuze noblesse.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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‘n jonge rode Ebro, kom daar Adwaita om!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(Die tracht nu hash, en lacht zich kopstaand krom -)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Goya dus; vraag ‘t Mercedes, n\u00f3\u00f3it ‘r flessen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Die z’m schonk die hij, vol therebinthessenae<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En lijnzaadolie en huismiddeltjes vol duister<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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In z’n kelder spaarde en Dolores’ dansen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Op ‘n weide, m\u00e9t ‘r Albuquerque, bei in vol luister,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vast te leggen op \u00e9\u00e9n zijner mind’re doeken!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Kom d\u00e1\u00e1r ‘ns Yoga om, die koning der chapattikoeken –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 203]<\/div>\r\n
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De ongodisten<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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… Da Costa<\/i>…<\/blockquote>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Voorwaar, ‘n rare stam, zelfs door Caesar ooit veracht.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Slempende in hun lokalen, door D\u00e9liria daarheen gebracht!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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O Isaac, Brammezonne, hun bierblik op ‘t trottoir, o wonne!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vol is nu ‘t land van Uw puikgeduide Ongodisten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Die, naar men in ‘t Vulgairoze zegt; Meen’ge deern bep.sten!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En daarvan verhandelt men nu kieken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Onbarneveldst van Ei, ei, ei –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
Isaac, we zijn z\u00e9\u00e9r droef, veed’ren ‘t sepia bl\u00edj!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 204]<\/div>\r\n
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Van Rock en Samuel<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nvoor Vera Vingerhoeds<\/i>\r\n<\/blockquote>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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‘k Was dertien: \u2018Yaketeehyak, yaketheey\u00e1k!\u2019 The Coasters<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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Met hun saxje hadden tenminste i\u00e9ts te zeggen;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
Bijvoorbeeld: dat je afval behoort te leggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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Waar ‘t hoort, niet op trottoirs of roosters gegooid –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u2018Pick up the papers and the trash,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
or you won’t get no spending cash!\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Als j’aldus properde was je nooit berooid;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Daar h\u00e1d je engels en je stad wat aan:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
‘n Refrein vol schoonheid zonder traan –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
Daarna kwam Berry Chuck dan met Nadine,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
‘n lied vol \u00e9chte po\u00ebzie, niet van ‘n babylover.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
En z’n formidabele uitsmijter scherpgezi\u00e9n:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u2018You can’t judge a book by lookin’ at the cover\u2019.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Ach, the Ghetto van the King. Z’n jailgerans<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
en mooie Muss Sie denn zum St\u00e4dtele hinaus –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
En Kleine Richard, oei, plaats vier, \u00f3f drie:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Die maakte nog ‘n salto bij ‘t zien ener Marie –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Daarna w\u00e9rkelijk geen syllabe meer gehoord.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
‘k Mocht overgaan op ‘t abstract accoord<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Van Sam, Sam who made the bridge too long.*<\/span><\/a>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
‘n Onsterfelijke Blakey, ‘t omgekeerde ener song –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n<\/div>
\n

Over het gehele werk<\/h3>\n

Tirade<\/a><\/p>\n

Over dit hoofdstuk\/artikel<\/h3>\n

Hans Vlek<\/a><\/p>\n
\n<\/div>

\r\n
\r\n
\n
\r\n*<\/span><\/a>\r\n<\/dt>\r\n
sloka: Sanskriet voor regel<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div>
\r\n
\r\n
\n
\r\n*<\/span><\/a>\r\n<\/dt>\r\n
Jack McLean, tenors<\/dd>\r\n<\/dl>\n<\/div>\r\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 196] Hans R. Vlek Gedichten Shorty \u00a0 voor G.S. \u00a0 Huelsenbeck, geplaagd psychiater te New York, \u00a0 Van voornaam wel Rich\u00e1rd geheten, rijmde \u00a0 O\u00f3k, ten tijde van Tristan Tzara. \u00a0 Dus geen limericks uit Cork \u00a0 Of rotzooi waar hij Arp mee slijmde \u00a0 Maar ultraboeiend lachend De\u00e9dadah – [p. 197] Wat is… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-303272","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nHans R. 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