{"id":303290,"date":"1999-01-01T00:00:41","date_gmt":"1998-12-31T23:00:41","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/serge-onnen-en-george-moormanningezeept-uitgegomd\/"},"modified":"2021-06-04T18:27:08","modified_gmt":"2021-06-04T17:27:08","slug":"serge-onnen-en-george-moormanningezeept-uitgegomd","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/serge-onnen-en-george-moormanningezeept-uitgegomd\/","title":{"rendered":"[Serge Onnen en George Moormann\r\nIngezeept \/ Uitgegomd]"},"content":{"rendered":"
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[p. 300]<\/div>\r\n<\/a>\r\n

[Serge Onnen en George Moormann<\/i>\r\n
\r\nIngezeept \/ Uitgegomd]<\/h3>\r\n\r\n

\"illustratie\"

[p. 301]<\/div>\r\n
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Voor de flits<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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We zouden ons op de vlakte kunnen houden,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het er niet over hebben, maar zeg nou zelf,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zonder nijd of spijt genadig te zijn voor<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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leven dat anders nooit op zou houden, dit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mag je toch eigenlijk geen beulswerk noemen?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 302]<\/div>\r\n
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De vragen van een gum<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Heb ik te dicht gelopen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onder de grijze muur om<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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iets daarachter te kunnen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zien? Is hij mij vergeten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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misschien? Gebruikt hij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mij maar als hulpje voor<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn licht-donkerprobleem?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En als ik op ben,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zal hij mijn restanten inruilen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor de schaduwen van zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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grote lucht met zware wolken?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 303]<\/div>\r\n
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La savonnerie<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik sprak een verkoopster die mij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bezwoer dat de zonde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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maar een gedachte is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ze gaf me een door en door zwart zeepje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waarop ze in haar eigen zwierige<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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handschrift schuld<\/i> had geschreven.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Toen ik na twee weken terugkwam en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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mij beklaagde over zoveel \u00e9l\u00e9gance<\/i>,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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begon ze luid te lachen en legde mij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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nog maar eens uit dat de gedachte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een brute kracht is en dat haar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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handschrift alleen dat niet kon.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 304]<\/div>\r\n
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Een dikke wolk<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Kneedgom maakt zich los,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een druppel zeep snelt aan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om de schade te herstellen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het roofzuchtige zwart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waarvan men nu al de<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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val kan voorspellen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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opgeslokt te worden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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door een tekening,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de opwekking en haar natuur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onherstelbaar te verwarren.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 305]<\/div>\r\n
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Dit vingeren<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het hielp ook Orfeus niet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn vegen en zoeken in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de ondergrondse<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van zijn zwarte idyllen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dit gehamer op papier,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dit gescharrel waarmee ik jou<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met hetzelfde gemak<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het onderspit laat delven,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om dit velletje,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om onze liefde,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dit omkijken,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dit omslaan.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 306]<\/div>\r\n
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Het uit zich<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Geen uitzicht op gouden of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zilveren tressen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet eens een veren pak,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bijna naakt is hij die opduikt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als de geboren vijand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van logica en rechte lijnen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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overvalt man en paard, schendt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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rechten van eigendom en erfenis,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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werpt mogelijke eretekenen omver,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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verplaatst barricaden naar ongekende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wegen, waarbij hij zich slachtoffer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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weet, dit pikken in eigen vlees,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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dat hem vernietigt en zwarte kunst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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lichter maakt. Ofschoon hem niets<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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verboden was blijft hem geen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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oplossing bespaard.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 307]<\/div>\r\n
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Lijnvast<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Of materie materie zal blijven,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wie zal het zeggen, het interesseert me niet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wel de souplesse van zijn gummi,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vooral hoe zijn hand zonder ijzer schiet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 308]<\/div>\r\n
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Handen, handen<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Als de mooie ogen wat verder zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als hij zijn vleugels opensnijdt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vluchten of vechten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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sterker zijn, groter, sneller<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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misschien zelfs binnen blijven,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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je verschuilen achter grauwe palmen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet willen weten wat je ziet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het veelzijdige verkleurmannetje dat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vermomming na vermomming<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zich steeds verder verwijdert van de vraag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wat het beste te doen?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 309]<\/div>\r\n
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Terloopse plastiek<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik moet de tekenaar nog tegenkomen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die z’n mond niet wast met zeep.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Met zulke handen moet je ook voorzichtig zijn,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zij kennen de paardriften van caoutchouc,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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rubberen vingers die vol zijn van het<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geritsel steeds opnieuw te beginnen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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gulzigheid die voor opsluiten is gemaakt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 310]<\/div>\r\n
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Uitgeteld<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Maar zoals je daar ligt, gotspe achter glas,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik moet er om lachen, de kneedgom van de meester,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik kon niet anders, je begrijpt me wel,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik begon te springen, alles stuk te slaan,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waarmee ik jou niet kon treffen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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jij verslinder van oppervlakkigheid,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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jij die hetzelfde zag als ik, erger,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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jij die \u00e1lles in je hebt opgenomen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de regels en de zin.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 311]<\/div>\r\n
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Dit boeten<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Je zou hem zo kunnen uittekenen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de dronken en dwaze jongen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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die thuisgekomen zijn geheugen ophangt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aan dunne en voorzichtige draadjes,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de gaten waaruit zijn vangnet bestond.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 312]<\/div>\r\n

\"illustratie\"

[p. 313]<\/div>\r\n

\"illustratie\"

[p. 314]<\/div>\r\n

\"illustratie\"

[p. 315]<\/div>\r\n

\"illustratie\"

[p. 316]<\/div>\r\n

\"illustratie\"

[p. 317]<\/div>\r\n

\"illustratie\"

[p. 318]<\/div>\r\n

\"illustratie\"

[p. 319]<\/div>\r\n

\"illustratie\"

[p. 320]<\/div>\r\n

\"illustratie\"

[p. 321]<\/div>\r\n

\"illustratie\"

[p. 322]<\/div>\r\n

\"illustratie\"

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[p. 323]<\/div>\r\n

Gum op sofa<\/h4>\r\n\r\n
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1<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Jezelf zijn en toch rekening houden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met de troep die je achterlaat,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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vragen naar een omvattende zin,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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maar niet hoe<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het komt zo gestoord te zijn dat je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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vooral ge\u00efnteresseerd bent in de krassen en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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butsen van een ander.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
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2<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Geen excuus, geen reden,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zonder verdoving<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tot diep in het oog gesneden,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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om het schokkend duister ruimte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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te bieden voor een pas op de plaats.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 324]<\/div>\r\n
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3<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Om te voorkomen dat wij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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bloeddoorlopen ogen krijgen, al<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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flitst hij ze wel, lijnen die als je niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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oppast het excuus van een<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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moordenaar zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
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4<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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getekende rimpels (zie 3)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 325]<\/div>\r\n

\"illustratie\"

[p. 326]<\/div>\r\n
\r\n\r\n
5<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Verliefdheid die eigenlijk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een te groot medelijden is,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een dwaalspoor die hem monddood<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zal maken, zijn overdreven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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compassie voor een potlood.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
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6<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Compassie die langzaam overgaat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in passie,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vooral als hij inziet dat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geslepenheid pas<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zin heeft als je op een handige<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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manier gebruik maakt van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de verzachtende omstandigheden van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een gum, de glibberigheid waaran<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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een mens zich – nu eenmaal –<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vast moet houden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 327]<\/div>\r\n

\"illustratie\"

[p. 328]<\/div>\r\n
\r\n\r\n
7<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Tel ze maar de kleuren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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als het maar zwart is.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n
\r\n\r\n
8<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De beste houding is meanderend,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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drie maal daags, druppelend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
de rivier van grafiet die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
door je lichaam loopt, deze slierten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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die je somtijds onpasselijk maken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
maar ook doen jubelen – in het Frans!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
in hele grote, met de hand geschreven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
letters van zwarte inkt:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
Mesdames et Messieurs!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Quand il a fini de le dire,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
il n’existe plus.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n
[p. 329]<\/div>\r\n

\"illustratie\"

<\/div>
\n

Over het gehele werk<\/h3>\n

Tirade<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 300] [Serge Onnen en George Moormann Ingezeept \/ Uitgegomd] [p. 301] Voor de flits \u00a0 We zouden ons op de vlakte kunnen houden, \u00a0 het er niet over hebben, maar zeg nou zelf, \u00a0 zonder nijd of spijt genadig te zijn voor \u00a0 leven dat anders nooit op zou houden, dit \u00a0 mag je… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-303290","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\n[Serge Onnen en George Moormann Ingezeept \/ Uitgegomd] · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/serge-onnen-en-george-moormanningezeept-uitgegomd\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[Serge Onnen en George Moormann Ingezeept \/ Uitgegomd] · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 300] [Serge Onnen en George Moormann Ingezeept \/ Uitgegomd] [p. 301] Voor de flits \u00a0 We zouden ons op de vlakte kunnen houden, \u00a0 het er niet over hebben, maar zeg nou zelf, \u00a0 zonder nijd of spijt genadig te zijn voor \u00a0 leven dat anders nooit op zou houden, dit \u00a0 mag je... 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