{"id":303669,"date":"2001-01-01T00:01:08","date_gmt":"2000-12-31T23:01:08","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/h-h-ter-balktanti-canto-17\/"},"modified":"2021-06-04T18:33:55","modified_gmt":"2021-06-04T17:33:55","slug":"h-h-ter-balktanti-canto-17","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/h-h-ter-balktanti-canto-17\/","title":{"rendered":"H.H. ter Balkt\r\nAnti-canto 17"},"content":{"rendered":"
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[p. 531]<\/div>\r\n <\/interp><\/a>\r\n

\r\nH.H. ter Balkt<\/i>\r\n
\r\nAnti-canto 17<\/h3>\r\n\r\n
Aan de niet langer verzegelde rijders<\/i>\r\n

\r\n\u2018Two mice and a moth my guides\u2019
\r\nEzra Loomis Pound
\r\n\u2018Hij had al in de diligence naar Riga plaatsgenomen\u2019
\r\nNicolaj Gogol De neus<\/i>\r\n<\/blockquote>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Onspreekbaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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o red haar uit dat koude huis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onspreekbaar\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Aan de vuilnisvaten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0De telers van Gal en Vlek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Kiepert om En aan de brandslangen: Hang<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0aan sommige, kekke huizen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Aan de Honden- en Kattentongen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Koest Laat af Ga liggen Braaf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nMaar wat leren de leraren<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Aan de bestrijders van de laatste glans:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ga snel heen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0En aan jullie: makers van vuurwerk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Bloedloogzouten\/vuilnis\/ivoorzwart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0nitroglycerine,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0kuiperijen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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klopperijen van vis vederen vlees of haar:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een barst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een niet te overbruggen barst (Pinokkio’s)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0bewoont voortaan uw voorden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0ook (okee?) die der tong<\/span>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 532]<\/div>
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\u00a0<\/div>\r\n
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Glasnevin aan de Zonnewijzer:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Moore zei tot een Stoomwals \u2018You crush all<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0the particles down \/ to close conformity,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0and then walk back and forth on them\u2019.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Hoera<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
\r\n
Maar Glasnevin (en Mica): Prijs de werken der zon,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0ze kunnen niet door de zonnewijzer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0worden gedaan, laat staan door<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0een wijzerplaat, afstemschaal of kiesschijf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(Ik bedoel maar…)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Dien de zon, wees geen janlul<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0of duf smoelwerk en dof mijnwerkerskompas<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\n\u2018huichelarij is een eerbewijs<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0van de ondeugd aan de deugd\u2019<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(La Rochefoucauld)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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… nu haast jullie, bliksemschichten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0langs jullie karrespoor in de lucht,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0nu haast jullie razend op jullie rolwagen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0naar de verzegelden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(Verzegeld niet meer)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Breng vuur in de hutten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en vroom ijslicht in de hutten der Infamen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0van hun modderkluit gestapt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Van de oorlogshitsers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Een strowis de vlam in de pan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van de stedekes Klaapstroo en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ze namen dus het kindje mee…Aca es nada<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Begreep de lama iets?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Veendamp is onze schaamte (deze mist heeft geen beenderen meer<\/i>)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Bach bedekt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de eesthuizen van de geest-al bijna gebrand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en het hart is l’art pour l’art op de kamfer-ar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 533]<\/div>
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\u00a0<\/div>\r\n
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\u00a0Terwijl de vuren naderen, naderen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0rent in razende galop onnatuur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0naar jullie terug: reerug nog niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0droog, bespat; giftig zangzaad<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0zonen van de Viscos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(roodbruin van rijping,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0natronloog sneeuwwit als phloxen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(zinkzouten versterken de vezel uit de chemische groep<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de kunstdraad uit Punt kan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0miljoenen omslingeren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Viscose rijk als Vismeel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0…spoelt de grenzen weg…<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Kijk naar de zon, ontzegelden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Daar komt de rayon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Blijf uit het raam kijken:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0er kan nog een trein komen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Graantjes en gruis gaan naar huis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0naar ‘t land van j\u0101m en m\u014dt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(doodshoofdvlinders<\/i>)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Het graan danst van de dorsvloer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De dorsvlegels gaan blij van zin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0de Miele in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0zingend als zinkzout en zoethout<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Onder de Pasquille<\/i>, gheplact ter Gouwe<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op de kerckdeure, den 22. april 1598<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nSmelt door u straelen dees hertbevrosen kegels<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nMetter placcaten bloetghierige zeghels<\/i>.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0De dorsvloer danst in danscaf\u00e9 De Hoed<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en een hamhuis in Geel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Bij Les Compagnons de la Chanson<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Pica Pica op accordeon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Heel erg versuft als<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0zeer oude gierpompen<\/span>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0hingen hofnarren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0uit de ramen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 534]<\/div>
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\u00a0<\/div>\r\n
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\u00a0\u2018Now if you see me coming..\u2019,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(Tommy Ladnier)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Blauwe Sneeuw kook de hutten van de Infamen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ransel de daken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0wier hechthouten daksparren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0vleesbomen waren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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… onspreekbaar onspreekbaar ..<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Ze namen dus het kindje mee.\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Begreep de lama iets? Met zijn voorhoofd wrijvend<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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tegen de poncho van Quispicanchi, sloot hij bijna<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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geheel zijn ogen, met een kort gegrom in zijn keel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als de klacht van een verliefde.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ik Anti-Kwik en Wagen en Bliksem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0door de regen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(ze namen dus het kindje mee)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik halve zool ten hele gekeerd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en brandnetel en wijnruit knikkend bij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de brandstapel van de maankoningen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en de hekken en hekkinnen (zie arp) om<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0de paardenkraal hunner huuu huu huuu hu\/<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van de nazaat der aan de volksrebellenspiess geregenen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en in het keurslijf genaaide stortbuien<\/i> uit de gevlochten wand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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der Koestal van de Vale Koe en ‘t Vale Paard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en de Kardoeshond op het Erf Dreigkotte<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in De Lutte niet eeuwenver van Edenkoben<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0dichtbij zand zeep en soda’s<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0eeuwig edict<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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O Zouaven Zwavel Land<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0aan de Aterkant<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0waar de brandnetel brandt en de wijnruit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0spiedt<\/span>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(Ze namen dus het kindje mee)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik zing de hellegloed terug<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in de dag en nacht geopende incognito lijmstok<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(Trap gerust die open poort in, Roosvensters)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 535]<\/div>
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\u00a0<\/div>\r\n
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en op hen die Gal stortten:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0de Gal keert in galop naar jullie terug<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0met mest en hondsdraf dooraderden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0au galop<\/i>, verbaas jullie over<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0de hardnekkigheid van Oude Galop<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Oude Galop met<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De kracht en bijstand van Glasnevin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik zing de hellegloed terug<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op de Oranje ruiterijen sloegen beleg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Oranje ruiterijen zijn nu van de leg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik zing de mist weg van de goede ziel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en de doodsangel uit het hart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik zing de vrolijke gloed terug,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik veeg de doodsglans van de brem en de eik en de tong<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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– maar van de hondstongen niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Noch van Pegasus het IJspaard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Aan de openbarstende<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0vaten boven A.P.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Vrees niet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Amsterdam is met jullie,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en met jullie heipalen\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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O nuon O nu dag en nacht geopenden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(\u2018Open het graf\u2019, Randstad)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Wacht op de dakspar en De Wisent<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(Der Wisent kommt,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0riep Cleve;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0dat is alweer langer geleden.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dolkstoten:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0hier zijn ze terug, Chicken Shack<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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blijf uit het raam kijken:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0er kan nog een kanaal komen<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik zing het vuur, de strowis in vlam,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0nu ook het vuur uit stelen moest<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0gaan;<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Je weet waar je zijn moet,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0vuur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 536]<\/div>
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\u00a0<\/div>\r\n
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\u00a0Geef de schraalhanzen een voetwassing<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Zalf de wonderdoeners uitzinnig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0met zwarte zalven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het is Look-zonder-look maar die het vraagt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Onder de Claw of Unknowing<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0wist hij niet beter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en nu nog niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0\u2018Ieder het zijne\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Parnassia<\/i> aan de Hoogovens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Mica<\/i>: aan het vuur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Blad 22 niet eeuwenver van de balling<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a051 57 n<\/span> 15 29 0 (niet aan de Odra<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0In Michajlovskoje schreef<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Poesjkin aan Vjazemski (1826)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018De zee die gesel van de tijden,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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lijkt jouw genie te gaan bezielen?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Jouw gouden lier wijdt een hymne<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Aan Neptunus’ drietand als hij raast.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Verspil toch niet je lof. Onze tijd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wist de scheidslijn tussen land en zee.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Op de plankieren speelt de mensheid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Tiran, verrader of hart-in-twee.\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het sterrenbeeld<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Maagd gered van Schorpioen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Vielen in Zielona G\u00f3ra<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(\u2018Alight, victorious women, descend to earth!\u2019)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0of nabij 51 19 n<\/span> 926 0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Honderdduizend bijen uit hun gebroken korven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018De politie waarschuwde urenland\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor Gr\u00fcnberg en de snelweg van Kassel naar Frankfurt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aan El Greco de snelweg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor El Greco<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Hij de hondstong van T.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 537]<\/div>
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\u00a0<\/div>\r\n
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die de opheffing van de vloek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0na 666 jaar (vertraging en gerektheid)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0ongedaan maakte dacht dat te doen Dadadadada<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Dadadadada<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zij de opheffers van de anti-vloek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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– en de andere opheffers, de averechtsen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hooikoorts beklimme jullie met karwats en snuifdoos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Horror bezet en bezaait jullie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0met frisse schal<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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..\u2019De lama strekte zijn hals uit met een menselijke<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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streling en, van tijd tot tijd, schudde hij zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zilveren belletjes\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Je weet waar je zijn moet, vuur,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ik wit de weg niet maar ik wijs hem<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0\u2018onnut en ijdel is de neuswijze kakeling\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0En alle winkelruiten barstten en sprongen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in Schoonheidssalon Reegoulasj<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\nRoosvenster<\/i> slaat de ramen in<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0van het Nertsfarm-kamp Chicken Shack<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018onspreekbaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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o red haar uit dat koude huis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0onspreekbaar\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Op de monsterrol van Urraca (Ekster) op de rol<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op de Monsterrol voor de Praalwagen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0van Rat en Muis<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in Urenland Onniedan<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Wie hier binnengaat laat alle hoop varen\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Knip door Blauwe Schaar, Knip door<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En niets vervloekts zal er meer zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En de plakkaten laten los<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en beginnen te waaien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\r\n

\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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In Kurk-van-de-Fles-Land<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0door de Stedekes Klaapstroo en Slaapstro<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 538]<\/div>
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\u00a0<\/div>\r\n
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langs de ogen vol drek en duister<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0slaapzand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en hun zegels laten los<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en hun zevende zegel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(Ha! Hun zevende zegel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Hun’s Zevende Zegel op wieltjes ja,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0begonnen te klapperen en te waaien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en als heggemussen te fluiten (in de wind)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en rolden op de rolwagens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op rolwagens, ha<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en rolden, rollen op rolwagens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0rock ‘n’ roll<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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naar dat grote ravijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0dat in Frankrijk begon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en dat landde in Normandi\u00eb<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0uit de nieuwe wereld<\/span>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hun’s Zevende Zegel: Zogenaamd Dan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0WOEI OM, WOEI OM, sloeg te pletter<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hun’s Zevende Zegel dat een jaap gaf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0aan de oude wereld<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0knarsetandde en sloeg te pletter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0\u2018Ze bezitten Gods Rijk hier op aarde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0En grote gekkenhuizen voor de geest.\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0In de Stedekes Slaapzand en Disneyland<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Hun Zevende Zegel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0\u2018verborgen in kronen en mantels<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op paarden van Mensenvlees\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0onder de ho-ge nootenboomen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zwaar als een boek van steen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zwaar als een stenen wagen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0De hunnenkarren, de hunnenpaarden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0alles van steen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vielen om, op hun hennen, op de hunne<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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vielen te pletter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op de grind- en gruisweg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op de lange lange weg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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over land en over zee..<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Kwaakte de Stront (als Donald Duck);<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 539]<\/div>
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\u00a0<\/div>\r\n
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\u00a0\u2018Ik beeldde Haar uit!\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Maar de Stront hier hoog in aanzien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0spreekt niet meer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0De smurrie zit stil en zwijgt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en wacht op de Stroom<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op de Storm<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op de doorstromende Storm<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Ik kom<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0zegt de storm<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0uit het andere Rayon,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0niet dat van de Aztekenzon<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0KOUD TOT OP HET BOT WERDEN DE POORTEN<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0het slot werd hangslot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ziektes komen te paard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en keren te voet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Niets bad nog … alleen vuurwerk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Zelfs de galdruppel waande zich paard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Maar het spel is uit, dode breidels en grendels<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0De verdoving en de verzegeling vergaan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0boven de stallen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(de ongeziene)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en de verdover en de verzegelaar<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in hun kookpot gekookte rijders<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0zijn niet meer hier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0\u2018Als de dageraad komt, zie ik wat ik al weet: de kracht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0die het systeem niet gebruikt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0die kracht is de kracht die het systeem verandert.\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a01965<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Pentti Saarikoski<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zevende Zegels (Zogenaamd dan)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aan de bomen geslagen, bloedplakkaten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 540]<\/div>
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\u00a0<\/div>\r\n
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\r\nGROOT BAL<\/b>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Herfst<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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of juli: geen kar meer passeert<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0u gedrochten

\"illustratie\"

Maan of anderskleurslicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0tilt aan het dak<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Wat waren de bossen groot!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Capitulatie van schimmels<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in witte holen, vossen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0stapten rond in de kolchos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0van bladeren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Pacten van scheermessen tegen de vlam<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0\u2018en niets<\/span> vervloekts zal er meer zijn\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Genadeloos ratelden de rolwagens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0de rolwagens hunner ratelbanden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0van Xipe de Vilder en zijn eenden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Xipee de bontgemaalde Poelier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(voor de poele grap) (xipee de gevilde)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Toen achteloos de tanks<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0van de scheppers met Hun, hun nieuwe Psalter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0verdertrokken, de wagens der hymnen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0aan Mongoli\u00eb Centraal-Azi\u00eb<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0– \u2018I am suspicious of Yucat\u00e1n\u2019 – MM<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Midden-Amerika USA Canada<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Rusland Noord- en Zuid-Duitsland<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0bleef tussen de muzieknoten achter<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in ‘t geniep over een schouder gegooid<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0de speer van Xipe en zijn Eenden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0uit een verre uithoek duizenden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0treden af naar de Windroos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0een tweetal kleinigheden; verstekelingen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0onkruidzaad van de wanhoop aan de dood<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0ergens uit een verre uithoek meegereisd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in de wagenrong, aan de as van de wielen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0om mores van oorlogsgoden te leren:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Op- en afsnijderij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Dubbelplusgoedeendenspraak<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 541]<\/div>
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\u00a0<\/div>\r\n
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\u00a0Ga dansen in Vrankrijk,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0..corpus sine pectore..<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0mare lugdunumensa, met de grondwolf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en dronken voc<\/span>‘s en Poeliers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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…..The Lunatics Have Taken Over the Asylum…..<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0schep de drek weg sos<\/i><\/span> curetteer de grotten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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nn die haar Leven wilden; zwartlakens grondig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Koud tot op het bot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Aan HD van Rat: \u2018And one night is a lifetime!\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(March 13, 1944)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ga dansen in Vrankrijk, gemene valwinden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Rokvogels<\/i> Dronken voc<\/span>‘s; Razend Konijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Van was<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0en wijn en van gehuchten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0door krioeld ‘t lijf<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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van ‘t land ligt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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stil thans, reuzestil: Venijn<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0bij Dood Brood<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0met de roodlederen hand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0De Gids van Schlitz<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(de Burgenstadt)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0die het Hilton Hotel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0te voet viel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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eer nog dat hanen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hun kammen meten met de zon:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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welmenende warme wel punt nl<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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aan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hoeve en Burcht Dweghila<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018verswunden ist der sne:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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laub, gras, kle<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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wunnikleich entspringen\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Der Wisent kommt\u2019 ging de roep door Cleve<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en hij kwam, jong; de kinderen juichten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hij kwam uit het verre Polen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Blauwe Alice die ooit nog eens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 542]<\/div>
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\u00a0<\/div>\r\n
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\u00a0de 666ste scherf van de glas-in-lood-ruiten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0in Z uit het water haalde,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0schenk glans de geheelde ruit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0drijf de palingtrossen fuikwaarts<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0in hun zwaluwnest aan de regenboog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Jaag ze van de tafel van smaragd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ga direct weg, blastocysten of hoe jullie heten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Bonsai-boompjes van de knolpeer,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en andere taxus bacc\u00e1ta-Pontifexen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mannetjesvaren-veren,.. moederkoorn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Uit haar bast die fijner dan berkenlicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en soepeler dan de black and white Rag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0was die goddelijk was en is herstel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0herstel haar gouden vel en snel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0Papelart et beguin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ont le siecle honi.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(Ruteboeuf)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hemelgoden leid de aardgoden snel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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naar de asfaltbronnen-wei veraf en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0ook dichtbij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Buig de zichten tot zwaarden om<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en steek de m\u014dtvlinders vast<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0aan dat Stilleven met Breidel<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0uit de Spoel van een Stokoud Spinnewiel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0dat in Ariadnedorp woonde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0bi der see<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(\u2018Ik kan het best begrijpen als een mens zich een god bedenkt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Maar hoe kan een afgod door een mens bedacht zijn.\u2019)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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..en de mix uit het zicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en de smidsvonk uit het oog..<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ik ben de beenderen van de mist<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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kruis de doodsbeenderen in ‘t open oog van het Steen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En ik breek de beenderen van de allerdichtste mist<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ooit de aarde en het water genaderd,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 543]<\/div>
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\u00a0<\/div>\r\n
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uit de hemel en van de gruisweg onder de aarde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zegt Taliesin uit Cardiganshire<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(..De vroegere mijnbouw en industrie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zijn gestaakt waardoor het gebied verviel..)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De zegels waaien De zegels waaien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0(van de aard- en dartsgoden los<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De Armada schudt zijn zilveren belletjes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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..De Armada tegen Harten-in-Twee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0vergaat opnieuw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0Alwater na Awater<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0Bijenhoeve De Angel en Schloss<\/i> Dweghila<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0nn lopen onder<\/span>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Blauwe Alice kreeg ze getrokken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Ga onmiddellijk weg Blastocysten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Delphinium<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Monnikskap<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Jullie worden gewenkt uit het verre Meer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Waar de Zeppelin Esox Lucius<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0op jullie wacht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Sterf, gewitte wand, wittende gevlochten wand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Vuur<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zocht je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en heeft je gevonden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Bijl<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zocht je<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en heeft je gevonden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Je mag je open muil laten zien<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Aan de nachtmist en de Nachttrein<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0..het is een late nachttrein<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0die nooit meer aankomt, zeker niet in Fishguard<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0nee in Fishguard niet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 544]<\/div>
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\u00a0<\/div>\r\n
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Het Huis wacht op vrede<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Plunderaars en Scherven, stijg op naar de Zeppelin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018Zeg water, bedoel droogte\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vaarwel, kalkbranderijen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En wat beduidt dat duistere Huis:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0De Armada en de roem van Spanje vergaan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0en welk jaar, na die ekster (pica pica)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0vogel-puppet on a string<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hoera! De herfst komt voor de avondwolven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en de rukwinden van ka! sela<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(automatische salades<\/i>)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vaarwel dode zielen en zalven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vaarwel, automatische salades<\/i>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Jullie harten zullen witkalk zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in de klauw van de verslonden witkwast<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Tranen weven Tranen weven<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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was wat zij konden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u2018En niets vervloekts zal er meer zijn.\u2019<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Busje komt zo<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0het is dit model, verzinkt en verzonken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0(model ter inzage)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Barsten moet gij, draadnagels en lonten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0guichelheils maaltijd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0viskoekjes m\u014dts<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vrolijk onweer komt, blij van zin<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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als de boodschapper van de regenboog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Hier is nog enig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0BIGGENMEEL over tijd, ter consumptie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0Bericht aan de Rattenkoning<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0aan zijn bedrieglijke Opgeblazenen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 545]<\/div>
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\u00a0<\/div>\r\n
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\u00a0en hun Orakelkwekerijen:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Als het raadsel wordt vergroot<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0wordt het opgeblazen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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EN NIETS VERVLOEKTS ZAL ER MEER ZIJN<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\"illustratie\"

\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ontradselden, sela<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

Aantekeningen<\/h4>\r\n\r\n

Onspreekbaar (…): Hans Lodeizen, Gedichten<\/i>, Amsterdam 1959.<\/p>\r\n\r\n

Marianne Moore, Complete Poems<\/i> London\/Boston 1984.<\/p>\r\n\r\n

\r\nThe Selected Letters of Marianne Moore edited by Bonnie Costello, Celeste Goodridge and Cristianne Miller<\/i>, London 1998. Marianne Moore werkte tussen 1925 en 1929 mee aan The Dial; andere medewerkers waren onder meer H.D. Sibley Watson, Thomas Stearns Eliot, Ezra Loomis Pound, E.E. Cummings en Hart Crane. Ze redigeerde streng. In haar brieven aan vrienden is haar koosnaam voor zichzelf (o.a.) Rat; haar moeder was Mouse.<\/p>\r\n\r\n

Het beeldmateriaal in Anti-canto 17 is voor een groot deel uit P.H. van Gestel en G.C.F, van der Laan, Schrijven en schrijfonderwijs<\/i> Groningen, Den Haag 19193<\/sup>.<\/p>\r\n\r\n

\r\nKlaapstroo<\/i> (gewestelijk): stro.<\/p>\r\n\r\n

\r\nAca es nada<\/i>: \u2018Daar is niets\u2019, de oorspronkelijke naam van Canada.<\/p>\r\n\r\n

El was de Fenicische of Phoenisische oppergod; Ba\u00e4l streed met J\u0101m (de zee) en M\u014dt (de dood). De Fenicische religie verhaalt van zijn dood en we-<\/p>

[p. 546]<\/div>

deropstanding. Het noordsemitische alfabet telde 22 tekens. Van zeven tekens waaronder h\u00e9<\/i> (voorstelling van een soort kam) kan de oorspronkelijke betekenis niet worden achterhaald.<\/p>\r\n\r\n

De Pasquille<\/i> komt voor in Helgeel Landjuweel<\/i>, Amsterdam 1977.<\/p>\r\n\r\n

Tommy Ladnier: Amerikaans blueszanger en trompettist.<\/p>\r\n\r\n

De Infamen: andere benaming voor de Vijftigers.<\/p>\r\n\r\n

Het gebroken verhaal van de Lama komt voor in V. Garc\u00eda Calder\u00f3n, De laatste vriend<\/i> (in Zuidamerikaanse verhalen<\/i> Utrecht\/Antwerpen 1959)<\/p>\r\n\r\n

Arp: Hans Arp dichtte tweetalig, in het Duits en Frans.<\/p>\r\n\r\n

De Kardoeshond of \u2018de verkeerde hond\u2019 was in het Twentse volksgeloof de hellehond met gloeiende ogen, een van de honden die Wodan op de jacht vergezelden (Overijsselse Sagenroutes Enschede 1990).<\/p>\r\n\r\n

\r\nChicken Shick<\/i>: gestorven Engelse popgroep.<\/p>\r\n\r\n

Alexandr Poesjkin (1799-1837) schreef To Vyazemsky<\/i>:<\/p>\r\n\r\n

\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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It seems the sea, that scourge of ages,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Contrives your genius to inspire?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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You laud upon your golden lyre<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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Old Neptune’s trident as he rages.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Don’t waste your praise. These days you’ll find<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
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That sea and land have no division.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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On any element mankind<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Is tyrant, traitor, or in prison.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

In: An Age Ago, A Selection of Nineteenth-Century Russian Poetry<\/i>. Selected and translated by Alan Myers With a foreword and biographical notes by Joseph Brodsky. Hammondsworth 1988. Ik geef mijn vertaling voor een betere, maar die van Hans Boland: \u2018Jij, ouwe moordenaar, wijdt nu dus \/ de gouden lier de oceaan \/ En laat de golven dreigend slaan \/ Tegen de drietand van Neptunus\u2019, in Russische Zon<\/i> (over Poesjkin) lijkt me misleidend.<\/p>\r\n\r\n

\u2018Onnut en ijdel is neuswijze kakeling\u2019: inscriptie of opschrift onderdoorgang Rijksmuseum Amsterdam. Margot Dijkgraaf, \u2018Het holst van Nederland\u2019, in NRC Handelsblad<\/i>, voorjaar 2001.<\/p>\r\n\r\n

\r\nOnniedan<\/i> (Twents): of niet dan.<\/p>\r\n\r\n

\u2018Ze bezitten Gods Rijk hier op aarde \/ En grote gekkenhuizen voor de geest\u2019. (Hugo Ball 1868-1927). Vertaling G. Komrij, de zogeheten \u2018dichter des vaderlands\u2019. In: NRC Handelsblad<\/i>, 6 september 1989.<\/p>\r\n\r\n

\r\nVerborgen in kronen en mantels<\/i>…: de hele voodootekst van de popsong De verzegelde rijders (een vuile afsluiting van de minnetraditie van Hendric van\r\n<\/p>

[p. 547]<\/div>

\r\n‘t Vogelhuisje (= Henric van Veldeke) luidt: \u2018Gat in het donker \/ noemden zij het licht \/ en hun handen erdoor geschonden \/ wilden zij het meten \/\/ en werden een nieuwe beweging \/ een leger van flarden met verhulde gezichten \/ verborgen in kronen en mantels \/ op paarden van mensenvlees. \/\/ Zij droegen geen andere namen \/ dan die zij waren \/ sommige jaren zijn ze onzichtbaar \/ ogen monden oren alles verzegeld \/\/ nooit komt er een eind aan hun stoet \/\/ ik zie ze ik zie ze \/ en ik brand van het zien.\u2019 (Anonymus; vondst onder de hoge nootebomen (die ook de wind niet meer opvangen maar tenietdoen). Amsterdam 1970).<\/p>\r\n\r\n

Pentti Saarikoski werd in 1937 in Impilahti, Karelia, geboren en woonde sinds 1975 in Zweden. Schreef in 1977 \u2018Dansvloer op de Berg\u2019 (Poetry International, Rotterdam 1980).<\/p>\r\n\r\n

\u2018En niets vevloekts zal er meer zijn\u2019: Openbaring 22, vers 3.<\/p>\r\n\r\n

\r\nXipe<\/i>, hier ook gespeld als Xipee: Azteekse gruwelgodheid, \u2018de gevilde\u2019. Wordt afgebeeld vergezeld van \u00e9\u00e9n of drie eendjes. Is wel te vergelijken met de kinderschrik \u2018de boeman in de rogge\u2019 (the catcher in the rye).<\/p>\r\n\r\n

Vrankrijk: Amsterdamse dansvloer.<\/p>\r\n\r\n

Dubbelplusgoedeendenspraak: George Orwell, 1984<\/i>.<\/p>\r\n\r\n

\u2018Verswunden ist der sne…\u2019: Oswald von Wolkenstein, 1376\/1378-1445<\/p>\r\n\r\n

\r\nPapelard et beguin<\/i> (Rutebeuf ca. 1230-ca. 1285). \u2018Hypocriet en kwezelaar \/ hebben onze tijd onteerd\u2019. Rutebeuf, Gedichten<\/i>, gebloemleesd, vertaald en geannoteerd door Clem Schouwenaars, Baarn 1986.<\/p>\r\n\r\n

\u2018Ik kan het best begrijpen…\u2019: in 1973 door de Finse dichter Pentti Saarikoski geschreven regels.<\/p>\r\n\r\n

Taliesin: \u2018Ik ben de beenderen van de mist\u2019. Hij was hoogstwaarschijnlijk toch niet, zoals The Penguin Book of Welsh Verse<\/i> beweert, een dichter uit de \u2018late 6th century\u2019, maar van enkele eeuwen later.<\/p>\r\n\r\n

Zeppelin: de eerste zeppelin vloog in 1900.<\/p>\r\n\r\n

\r\nEsox Lucius<\/i>: snoek.<\/p>\r\n\r\n

\u2018avondwolven\u2019: de Habakuk-rol van \u00c1in Fasha (Assen 1954). Hab. 1, 6, 7: \u2018Om woonsteden in bezit te nemen, die de zijne niet zijn(…) Vlugger dan panters zijn zijn paarden en sneller dan avondwolven. (…) En van ver komen zij, van de kustlanden der zee…\u2019.<\/p>\r\n\r\n<\/div>

\n

Over het gehele werk<\/h3>\n

Tirade<\/a><\/p>\n

Over dit hoofdstuk\/artikel<\/h3>\n

H.H. ter Balkt<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 531] H.H. ter Balkt Anti-canto 17 Aan de niet langer verzegelde rijders \u2018Two mice and a moth my guides\u2019 Ezra Loomis Pound \u2018Hij had al in de diligence naar Riga plaatsgenomen\u2019 Nicolaj Gogol De neus \u00a0 \u2018Onspreekbaar \u00a0 o red haar uit dat koude huis \u00a0 onspreekbaar\u2019 \u00a0 \u00a0 \u00a0 Aan de vuilnisvaten \u00a0… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-303669","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nH.H. ter Balkt Anti-canto 17 · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/h-h-ter-balktanti-canto-17\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"H.H. ter Balkt Anti-canto 17 · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 531] H.H. ter Balkt Anti-canto 17 Aan de niet langer verzegelde rijders \u2018Two mice and a moth my guides\u2019 Ezra Loomis Pound \u2018Hij had al in de diligence naar Riga plaatsgenomen\u2019 Nicolaj Gogol De neus \u00a0 \u2018Onspreekbaar \u00a0 o red haar uit dat koude huis \u00a0 onspreekbaar\u2019 \u00a0 \u00a0 \u00a0 Aan de vuilnisvaten \u00a0... 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