{"id":303960,"date":"2004-01-01T00:00:57","date_gmt":"2003-12-31T23:00:57","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/peggy-verzettnadag\/"},"modified":"2021-06-04T18:40:15","modified_gmt":"2021-06-04T17:40:15","slug":"peggy-verzettnadag","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/peggy-verzettnadag\/","title":{"rendered":"Peggy Verzett\r\n\r\nNadag"},"content":{"rendered":"
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[p. 55]<\/div>\r\n<\/a>\r\n

\r\nPeggy Verzett<\/i>\r\n\r\n
\r\nNadag<\/h3>\r\n\r\n

1<\/h4>\r\n\r\n
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locus deze lucht had Laurel mooi gevonden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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bolle blauwe buik waarin meeuwen af en aan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik zie een beetje spel in de opzet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de verste verte zie ik nog<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de schoonheid van de vlek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op vloer en wand kaatst de rommel terug die volgens afspraak ligt<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in deze kamer blijf ik tot aan de rand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wil jij met mij Prediker lezen in de zon op mijn balkon?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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er ligt een laag een vrouwenmantel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het nekwater om de boeg likt rimpels in de handen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voel hoe deze onderwaterzit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die overplanting inheems in ieder plaats<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zonder nadruk in de nadag mijn kades kaden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(juni 2004)<\/p>\r\n\r\n

[p. 56]<\/div>\r\n

2<\/h4>\r\n\r\n
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dit kanaal zwijmelt als een kroonluchter in de tijd van kluit huwt kluit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en alpha en omega staan hand in hand als ze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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‘s nachts volkomen verregend in het bos<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op apegapen de Esox Lucius onder de glazen stolp<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en de vrouwe voor het open raam?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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O & A centrifugeren vast maneschijn in een proper dorp<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ademt het kanaal in en uit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat marmer is beschilderd hout<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dit albast van gips en glans<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en ik ben zonder middelen waarmee<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wit van zoet kan worden onderscheiden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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je weet wel de anderen hebben het gedaan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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er is geen lichtuitzending vandaag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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d’oude dikke hondjes en haaienkoppen steken in stijglicht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(traktaten, preken en sermoenen!)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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allemaal haaienkoppen uit de voordeuren van de langstraat<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en oude dikke hondjes de hoek omlopen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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je moet je inschakelen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kongsie kongsie<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 57]<\/div>
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in het rommelhok van de overlevering<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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onder de vitrine grijzig gepierewaai van het tulen rafelrokje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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om het bronzen danseresje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(juni 2004)<\/p>\r\n\r\n\r\n

[p. 58]<\/div>\r\n

3<\/h4>\r\n\r\n
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jouw voorkeur in de nadag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vertel eens over de heilige geest<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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lekker abstract zonder ezelsschedel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met paars gestifte lippen van de gewaagde pruikenmaker<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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over zijn handelshouding haar lekhart en hun rationele zingeving<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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reizen tussen twee dorpen zonder grensformaliteiten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een aangezicht dat hangt in repen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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parels \/ oesters \/ koeien in de wei<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zoiets als de staccatovrede<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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op de wind rijden en er zo vandoor gaan<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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of koraaldiertjes kleven aan een rif<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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nietig taallichaam, heb onzin met wachten vergeleken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mijn betrekkingen met de kust zullen hun normale karakter krijgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik zie er steekt een stukje in je buik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het loopt stuk of bijt uit en pakt dan de nijdas neer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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die in zerpe lucht met zijn vleugel langs het onderdak sleept<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(juli 2004)<\/p>\r\n\r\n\r\n

[p. 59]<\/div>\r\n

4<\/h4>\r\n\r\n
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de acteurs spelen op vlonders die<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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tuurloos drijven op strakke waterrepen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zie! de jonge vrouw probeert het navorsen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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al haar fijne zinsdelen slijten over het permafrost<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en een huidentuin tingelt in de toendra<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar de graaf zweeg over de invloed van<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de dampkring op huig hand en nog een hoger ding<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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laat de acteurs maar spelen op het scherp van de snede<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in de kastelen o moede mond en rijpe borst bis big bravo!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Tandenloos verft meanwhile de vervallen muur permanentblauw<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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er staat een sokkel in zijn buik<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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alle dingen zijn een poolpaard langs bebouwd terrein<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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genoeg!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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weer deinen geschiedenissen bij de nachtelijke boottocht<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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over hem die van eb en vloed niet weet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met een half gewei het stoute water een paar fikse stoten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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aan iedere branding hangt wel een meisje in zee-tenue<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(juli 2004)<\/p>\r\n\r\n\r\n

[p. 60]<\/div>\r\n

5<\/h4>\r\n\r\n
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koud en nat brein<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik denk terug aan hoe dit allemaal is gebeurd<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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er lag een dode geit te mekkeren in mijn maag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat van het een het ander kwam nadat op Nova Zembla<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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een overwintering in causaliteit<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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radde tongen vergaten hun leven en gal niet meer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en de verschillen lekken oostindisch zwart kortbenig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mij vallen feiten in als de plooien in een plooienrijke broek<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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vlaggen ze bestaan niet vlaggen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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binnenin verbindt verbannen drang<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de H is een staande co\u00eftus<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik doe wat overbodig is soms negentien keer<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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de opzet voor een boeddhadrama over de rijken<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en een vederlicht avondmaal ligt nog in de linnenkast<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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warm en nat hart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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ik ruik kamperfoelie ‘s nachts als andere bloemen gesloten zijn<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in het stille luchtruim wenkt ze naar vlinders en kevers<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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nu denk ik aan haar met haar talent voor delilah-achtige rollen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de horizontale marginalen en waar werd hij un autre?<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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o hier komt Afrika!<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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ik denk aan hoe wij allen ‘s avonds al niet meer buiten komen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor het geval wij ongemerkt op een worm zouden trappen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(aug. 2004)<\/p>\r\n\r\n\r\n

[p. 61]<\/div>\r\n

6<\/h4>\r\n\r\n
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\u00a0<\/div>\r\n
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wij dragen een dode stad in onze bovenwand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waar onze korte vangdraad en nabrander gevallen is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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behalve dat gaan wij over naastenliefde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zoals nabestaanden overgaan tot naastenliefde<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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laat ik je mijn nieuwe naam noemen: Marie Jos\u00e9oe<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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in het gefrakeerde struikgewas pakte je mijn hand<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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we waren oud en je riep: Marie Jos\u00e9oe<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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eminente aardelucht drong door tot in iedere vezel van de houten bank<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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veertig onsterfelijken (gemiddelde leeftijd van in de tachtig)<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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hieven een lied aan voor jou en mij<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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over twee lamentijnen het lied klonk prachtig<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onze idee\u00ebn hadden niets verloren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en in de nadag doken we niet diep en zwommen niet snel<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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we lagen in de ondiepe arm opgewarmd en<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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onze kunstzinnige pupillen keken onder<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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naar het vormloze zeevee in volledig blauw wijwater<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n\r\n

(aug. 2004)<\/p>\r\n\r\n<\/div>

\n

Over dit hoofdstuk\/artikel<\/h3>\n

Peggy Verzett<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 55] Peggy Verzett Nadag 1 \u00a0 locus deze lucht had Laurel mooi gevonden \u00a0 bolle blauwe buik waarin meeuwen af en aan \u00a0 \u00a0 \u00a0 ik zie een beetje spel in de opzet \u00a0 in de verste verte zie ik nog \u00a0 de schoonheid van de vlek \u00a0 \u00a0 \u00a0 op vloer en wand… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-303960","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nPeggy Verzett Nadag · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/peggy-verzettnadag\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peggy Verzett Nadag · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 55] Peggy Verzett Nadag 1 \u00a0 locus deze lucht had Laurel mooi gevonden \u00a0 bolle blauwe buik waarin meeuwen af en aan \u00a0 \u00a0 \u00a0 ik zie een beetje spel in de opzet \u00a0 in de verste verte zie ik nog \u00a0 de schoonheid van de vlek \u00a0 \u00a0 \u00a0 op vloer en wand... 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