{"id":304230,"date":"2007-01-01T00:00:58","date_gmt":"2006-12-31T23:00:58","guid":{"rendered":"https:\/\/www.vanoorschot.nl\/dbnl\/wim-hofmanuitvaart\/"},"modified":"2021-06-04T18:50:30","modified_gmt":"2021-06-04T17:50:30","slug":"wim-hofmanuitvaart","status":"publish","type":"dbnl","link":"https:\/\/www.vanoorschot.nl\/en\/dbnl\/wim-hofmanuitvaart\/","title":{"rendered":"Wim Hofman\r\n\r\nUitvaart"},"content":{"rendered":"
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[p. 6]<\/div>\r\n<\/a>\r\n

\r\nWim Hofman<\/i>\r\n\r\n
\r\nUitvaart<\/h3>\r\n\r\n
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Vraag me niet waarom<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het kerkhof zo ver weg ligt, of<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waarom dit de route is die gevolgd wordt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit is nu eenmaal de weg.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de huizen waarin je zult overnachten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de papieren.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Muren met dovemansoren.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Oude deuren. Dit zijn de sleutels.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Je moet zelf maar zien welke past.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(geluid van sleutels).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit is je vader. Hij draagt donkere kleren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en heeft zijn hoed in de hand.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hij kijkt somber. En dit is je moeder,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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in het zwart met een scheef hoedje<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met speld, met veer, met voile.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ik hoop dat ze je bevalt.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de papieren, sommige met wat waterschade.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit je vingerafdrukken. Links en rechts<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zeer verschillend. Dit je naam. Geslacht.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn je ogen, dit de kleur van je haar.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Je kunt je baard laten staan. Wacht.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de boeken. Dit de kist.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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[p. 7]<\/div>
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Dit zijn de cijfers die je moet halen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Als kind heb je een hoge stem.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de jassen die je zult dragen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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In de zakken, in bruin papier,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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het soort brood dat je zult eten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Wit brood en een fles wijn, twee glazen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit is de vrouw die je zult liefhebben<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en daarom verdriet zult doen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Het is dezelfde die jou verdriet zal doen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ze zal jou liefhebben. Dat is een troost.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de kinderen. Je zult ze liefhebben<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en daarom pijn doen. Dat is minder.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn avonden die je alleen zult doorbrengen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Een inktblauwe zomernacht met hier<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en daar een lichtje, steeds meer lichtjes,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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dat zullen de sterren zijn, of insecten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en een zwarte met het aanhoudend gezaag<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van niets anders dan insecten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(heftig geluid van insecten).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn een paar van de landschappen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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waar je doorheen moet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Rotsen en zee zeggen je wel iets.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De landschappen veranderen snel,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van de ene dag op de andere.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De wegen kronkelen en verleggen zich<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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telkens, zij zijn springlevend. Sprinkhanen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en vogels vliegen op uit het gras.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn geluiden van vogels<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(geluiden van vogels).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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[p. 8]<\/div>
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Een nachtelijk tafereel, de randen rafelig.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Op de bergen zijn puntige huisjes gezet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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voor de mensen. Zij weten wat geluk is<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en zijn in elkaar gehaakt. Het witte<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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is geboortesneeuw. Een paar rode druppels.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Tekens van liefde en verlangen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zeegroene zon links,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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mosterdgele maan rechts.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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In het midden de gedachtecarroussel.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Hij werkt op stoom. Lampjes<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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met roze franjes en cilindervormige kraaltjes.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De nek van de giraf is afgebroken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(geluid van een stoommachine).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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We zorgen voor voldoende wensen en verlangens<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en voor onevenwichtigheden. Het onzekere<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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kun je beter voor het zekere nemen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de schoenen die je zult dragen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Ze maken geluiden. Je denkt dat ze iets<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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zeggen willen. Onzin natuurlijk.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Dit zijn de voeten van je ouders. De pijnlijke voeten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van je vader. Hij moest ver lopen en de zere voeten<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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van je moeder. Ze stond veel. Dit zijn de jouwe.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(geluid van voetstappen).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Zie je de spijkers? Een weg terug is er niet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Daar horen we al de langzame trom.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Je hebt liever piano met een honky tonk kyri\u00eb.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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(geluid van oude piano en een trom).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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[p. 9]<\/div>
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De stoet wordt langgerekt. Voorop<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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wat wegslakken, zwart als droptongen,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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om alles langzaam te laten gaan.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Bij wijze van spreken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Er is geen uitweg.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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We volgen een oud protocol.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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Eerst is het nog ochtend,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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volgens het protocol grijs en roze<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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en nat. De bomen langs de weg.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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De bomen langs de weg<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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staan steeds meer scheef.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zij zijn moe van de eeuwige westenwind.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zij zijn moe van het scheef staan.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze vergeten hun bladeren. De bladeren<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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waaien weg. Het verhoogt de sfeer.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(geluid van de wind).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dit zijn de vogels die neerstrijken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Ze gaan op het prikkeldraad zitten.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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En op de takken van de bomen die al zo moe zijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Vermoeiend, dit. Dit zijn de haren,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de tanden en kiezen die je gaat verliezen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dit is de vork. Dit het mes dat wordt geslepen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(geluid van het mes).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het zandpad, een karspoor,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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met een glanzend zwarte haan, als ee vlam<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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de vuurrode kam in de avondzon,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het bloed ervan is goed voor het tandvlees. Je wrijft<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het met de pink door de mond van het kind.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Je voelt wel waar de tandjes en kiezen komen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 10]<\/div>
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\u00a0<\/div>\r\n
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De appels zijn groen en hard en zuur. Verdriet<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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is gewoon, je went er niet aan. Dat geeft extra chagrijn.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Pijn is een kwestie van tijd.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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(geluiden van aanhoudende pijn, sforzando sforzato).<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De droefheid is in het begin het grootst.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het ritme van het snikken is langzaam. We volgen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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het protocol. Het lijkt op pijnlijk hikken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het is iets van het middenrif met zijn peeslaag.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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De frisse lucht zal eenieder goed doen. Er zijn paraplu’s<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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voor het geval. Zwart<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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is voorschrift. We werken met zwarte doeken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zwart vaandel, zwarte gecapitonneerde katafalk<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zwarte serpentines aan de muziekinstrumenten:<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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zwarte Schiedmeyer und Sohne 1920.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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op een zwartgeverfde wagen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Donkere waskaarsen. Alles voorlopig in mineur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Geen bloemen, zwarte schoenen. Blinkend. Gepoetst.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zo is dat. Op de kennissen en zogenaamde vrienden<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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en meelopers en nieuwsgierigen hebben we geen vat.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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We zullen hen vragen twee aan twee te lopen<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet te spreken, niet drinken, niet te eten,<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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niet te roken. We zullen zien wat ze doen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Zogenaamde vrienden. Sommige dingen kunnen niet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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We rekenen op de muziek. Peristaltiek.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dranghekken kennen we niet.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het prikkeldraad was er al.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het was er al voor de oorlog.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Het was er eerder dan de bomen.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>
[p. 11]<\/div>
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\u00a0<\/div>\r\n
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In de verte de zee. Niet te zien.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
Wel te horen (geluid van de zee).<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
\r\n
\u00a0<\/div>\r\n
\r\n
De zon gaat onder om 19.55 uur.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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\u00a0<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dit is de zon. Ongeflatteerd. Aan alles is gedacht.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n
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\u00a0<\/div>\r\n
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Dit zijn de wolken die hem bedekken.<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<\/div>\r\n<\/div>
\n

Over dit hoofdstuk\/artikel<\/h3>\n

Wim Hofman<\/a><\/p>\n
\n<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

[p. 6] Wim Hofman Uitvaart \u00a0 Vraag me niet waarom \u00a0 het kerkhof zo ver weg ligt, of \u00a0 waarom dit de route is die gevolgd wordt. \u00a0 \u00a0 \u00a0 Dit is nu eenmaal de weg. \u00a0 Dit zijn de huizen waarin je zult overnachten. \u00a0 Dit zijn de papieren. \u00a0 \u00a0 \u00a0 Muren met… Lees verder <\/span><\/a><\/p>\n","protected":false},"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","class_list":["post-304230","dbnl","type-dbnl","status-publish","hentry"],"acf":[],"yoast_head":"\nWim Hofman Uitvaart · Uitgeverij Van Oorschot<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.vanoorschot.nl\/en\/dbnl\/wim-hofmanuitvaart\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wim Hofman Uitvaart · Uitgeverij Van Oorschot\" \/>\n<meta property=\"og:description\" content=\"[p. 6] Wim Hofman Uitvaart \u00a0 Vraag me niet waarom \u00a0 het kerkhof zo ver weg ligt, of \u00a0 waarom dit de route is die gevolgd wordt. \u00a0 \u00a0 \u00a0 Dit is nu eenmaal de weg. \u00a0 Dit zijn de huizen waarin je zult overnachten. \u00a0 Dit zijn de papieren. \u00a0 \u00a0 \u00a0 Muren met... 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